Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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النتائج 1-5 من 58
الصفحة
... Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The Living Image Shakespeare, Spenser, Donne Themes and Variations in ...
... Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The Living Image Shakespeare, Spenser, Donne Themes and Variations in ...
الصفحة 2
... language. In a related way, the question insists that drama is primarily, even essentially, a form of literature and so minimizes its non-linguistic elements. And finally, to the extent that the model for analysing verse derives from ...
... language. In a related way, the question insists that drama is primarily, even essentially, a form of literature and so minimizes its non-linguistic elements. And finally, to the extent that the model for analysing verse derives from ...
الصفحة 3
... language. Even if there are non-verbal kinds of drama, drama, especially Elizabethan drama, is still essentially a form of literature because of the central place that language holds in the human world. The imitation of human action can ...
... language. Even if there are non-verbal kinds of drama, drama, especially Elizabethan drama, is still essentially a form of literature because of the central place that language holds in the human world. The imitation of human action can ...
الصفحة 4
... is primarily a form of literature.8 The most one can say is that at certain epochs, when language held a central place in culture, the written word acquired a temporary working ascendancy in the theatre also. Verse into drama.
... is primarily a form of literature.8 The most one can say is that at certain epochs, when language held a central place in culture, the written word acquired a temporary working ascendancy in the theatre also. Verse into drama.
الصفحة 5
... language in drama, and denies the independence of the theatre as an art form in its own right, with its own laws of realization. It is a superficial view of culture that can with such insouciance displace language from the centre. But ...
... language in drama, and denies the independence of the theatre as an art form in its own right, with its own laws of realization. It is a superficial view of culture that can with such insouciance displace language from the centre. But ...
المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters