Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة
... passages in criticism British Library Cataloguing in Publication Data Baxter, john Shakespeare 's Poetic styles. 1. Shakespeare, William ' Versification I. Title 822.3'3 PR3085 80-49931 ISBN 0 7100 0581 4 For C. Q. Drummond Original ...
... passages in criticism British Library Cataloguing in Publication Data Baxter, john Shakespeare 's Poetic styles. 1. Shakespeare, William ' Versification I. Title 822.3'3 PR3085 80-49931 ISBN 0 7100 0581 4 For C. Q. Drummond Original ...
الصفحة 2
... passages without sufficient regard for their interrelationships. In any of these cases, the full complexity of the drama goes unrecognized. None the less, the question is worth asking, all the more worth asking because of these very ...
... passages without sufficient regard for their interrelationships. In any of these cases, the full complexity of the drama goes unrecognized. None the less, the question is worth asking, all the more worth asking because of these very ...
الصفحة 3
... Passages isolated for analysis should return us, finally, to a renewed sense of the meaning and form of the whole. The relationship of style and form in drama is a question that can be most sharply defined by referring again to the ...
... Passages isolated for analysis should return us, finally, to a renewed sense of the meaning and form of the whole. The relationship of style and form in drama is a question that can be most sharply defined by referring again to the ...
الصفحة 8
... passage can be set Sidney's comments on the difficulty of finding contemporary English poems to commend. Besides these I do not remember to have seen but few (to speak boldly) printed that have poetical sinews in them; for proof whereof ...
... passage can be set Sidney's comments on the difficulty of finding contemporary English poems to commend. Besides these I do not remember to have seen but few (to speak boldly) printed that have poetical sinews in them; for proof whereof ...
الصفحة 11
... passage on pity and fear, there are three passages in Aristotle's Poetics arguing that wonder is an emotional effect of tragedy; that Plato's Ion concurs with Aristotle in associating fear, pity, and wonder; and that the same doctrine ...
... passage on pity and fear, there are three passages in Aristotle's Poetics arguing that wonder is an emotional effect of tragedy; that Plato's Ion concurs with Aristotle in associating fear, pity, and wonder; and that the same doctrine ...
المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters