Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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النتائج 1-5 من 36
الصفحة 8
... truth, a style that is the instrument of reason. By contrast, earlier sections of the Defence promote the golden style. Against the charge that poets are liars, Sidney replies by claiming that, 'for the poet, be nothing affirms, and ...
... truth, a style that is the instrument of reason. By contrast, earlier sections of the Defence promote the golden style. Against the charge that poets are liars, Sidney replies by claiming that, 'for the poet, be nothing affirms, and ...
الصفحة 9
... truth are irrelevant. As Sidney declares very early in the treatise: '[Nature's] world is brazen, the poets only deliver a golden' (p. 24). O. B. Hardison Jr in his essay 'The Two Voices of Sidney's Apology for Poetry'3 has seen quite ...
... truth are irrelevant. As Sidney declares very early in the treatise: '[Nature's] world is brazen, the poets only deliver a golden' (p. 24). O. B. Hardison Jr in his essay 'The Two Voices of Sidney's Apology for Poetry'3 has seen quite ...
الصفحة 10
... truth of accomplished fact, with the truth of history, may well find the affirmations of the plain style suitable to its purposes. But again, Sidney does not say so. In fact, his brief paragraph outlining an affective theory of tragedy ...
... truth of accomplished fact, with the truth of history, may well find the affirmations of the plain style suitable to its purposes. But again, Sidney does not say so. In fact, his brief paragraph outlining an affective theory of tragedy ...
الصفحة 15
... Truth appease his [Soliman's] furie? Nor his [Mustapha's] vnlook'd Humilitie of comming? Nor any secret witnessing remorses? Can Nature, from her selfe, make such diuorces? Tell on; that all the World may rue, and wonder. (V, ii, 38—42) ...
... Truth appease his [Soliman's] furie? Nor his [Mustapha's] vnlook'd Humilitie of comming? Nor any secret witnessing remorses? Can Nature, from her selfe, make such diuorces? Tell on; that all the World may rue, and wonder. (V, ii, 38—42) ...
الصفحة 19
... Truth, whose name they vse. 108 Besides, this Art, where scarcity of words Forc'd her, at first, to Metaphorike wings, Because no Language in the earth affords Sufficient Characters to expresse all things; Yet since, she playes the ...
... Truth, whose name they vse. 108 Besides, this Art, where scarcity of words Forc'd her, at first, to Metaphorike wings, Because no Language in the earth affords Sufficient Characters to expresse all things; Yet since, she playes the ...
المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters