Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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النتائج 1-5 من 88
الصفحة 4
... primarily a form of literature.8 The most one can say is that at certain epochs, when language held a central place in culture, the written word acquired a temporary working ascendancy in the theatre also. Verse into drama.
... primarily a form of literature.8 The most one can say is that at certain epochs, when language held a central place in culture, the written word acquired a temporary working ascendancy in the theatre also. Verse into drama.
الصفحة 5
Verse into Drama John Baxter. word acquired a temporary working ascendancy in the theatre also. It acquired it a few ... words. Through a prejudice in favour of theatricality, Barish fails to confront the real question that Winters asks ...
Verse into Drama John Baxter. word acquired a temporary working ascendancy in the theatre also. It acquired it a few ... words. Through a prejudice in favour of theatricality, Barish fails to confront the real question that Winters asks ...
الصفحة 8
... words, with a tingling sound of rhyme, barely accompanied with reason. (p. 64) The concerns for prose meaning and for the supremacy of rational order are once again clear demands for a poetic style that aims to disclose the plain truth ...
... words, with a tingling sound of rhyme, barely accompanied with reason. (p. 64) The concerns for prose meaning and for the supremacy of rational order are once again clear demands for a poetic style that aims to disclose the plain truth ...
الصفحة 14
... words, he is, in several senses, the character in a position to be most affected by the murder, and, as well, he has not appeared in the play until this point. Both of these facts lend the keenest interest to his initial remarks and to ...
... words, he is, in several senses, the character in a position to be most affected by the murder, and, as well, he has not appeared in the play until this point. Both of these facts lend the keenest interest to his initial remarks and to ...
الصفحة 18
... words. Several remarks in this passage bear on the principles of style. The contrast between a poetry that through the strangeness or perplexedness of witty fictions aims primarily at exercising and entertaining the affections and the ...
... words. Several remarks in this passage bear on the principles of style. The contrast between a poetry that through the strangeness or perplexedness of witty fictions aims primarily at exercising and entertaining the affections and the ...
المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters