Poetical Works: To which is Prefixed a Life of the AuthorCrosby, Nichols, Lee & Company, 1860 |
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الصفحة 5
... beauty , titles , wealth and fame ; How lov'd , how honour'd once , avails thee not , To whom related , or by whom bogot ; A heap of dust alone remains of thee ; " Tis all thou art , and all the proud shall be ! No poem of our author's ...
... beauty , titles , wealth and fame ; How lov'd , how honour'd once , avails thee not , To whom related , or by whom bogot ; A heap of dust alone remains of thee ; " Tis all thou art , and all the proud shall be ! No poem of our author's ...
الصفحة 6
... beauty in the numbers , and concludes with saying , " That we have three pocms in our tongue of the same nature , and each a master - piece in its kind ; the Essay on Trans- ated Verse , the Essay on the Art of Poetry Kiv LIFE OF POPE .
... beauty in the numbers , and concludes with saying , " That we have three pocms in our tongue of the same nature , and each a master - piece in its kind ; the Essay on Trans- ated Verse , the Essay on the Art of Poetry Kiv LIFE OF POPE .
الصفحة 15
... employed to write the Popiad , in which his transla tion is characterized as unjust to the original , withou beauty of language , or variety of numbers . Instead of the justness of the original , they say there LIFE OF POPE . xxiii.
... employed to write the Popiad , in which his transla tion is characterized as unjust to the original , withou beauty of language , or variety of numbers . Instead of the justness of the original , they say there LIFE OF POPE . xxiii.
الصفحة 16
... beauty of language , no harmony of numbers in thi translation . But the most formidable critic against Mr. Pope in this great undertaking , was the celebrated Madame Dacier , whom Mr. Pope treated with less ceremony in his Notes on the ...
... beauty of language , no harmony of numbers in thi translation . But the most formidable critic against Mr. Pope in this great undertaking , was the celebrated Madame Dacier , whom Mr. Pope treated with less ceremony in his Notes on the ...
الصفحة 18
... beauty is there to such an amazing perfection , that the following ages could add nothing to those of any kind ; and the an cients have always proposed Homer as the most per fect model in every kind of poetry . " The third comparison is ...
... beauty is there to such an amazing perfection , that the following ages could add nothing to those of any kind ; and the an cients have always proposed Homer as the most per fect model in every kind of poetry . " The third comparison is ...
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Addison Adrastus Æneid ancient bard Bavius beauty behold bless'd breast charms Cibber court cried critics Curll Dennis divine Dryope Dulness Dunciad e'en e'er Edmund Curll epigram EPISTLE Essay on Criticism eyes fair fame fate fire fix'd flame fool genius gentle give glory goddess grace happy hath head heart Heaven hero Homer honour Iliad king knave learn'd learned live lord Lord Bolingbroke mankind mind mortal muse nature ne'er never night numbers nymph o'er once passion pleased pleasure poem poet Pope praise pride proud queen rage REMARKS rise sacred Sappho satire Scribl sense shade shine sighs sing skies smile soft soul Sylphs tears Thalestris Thebes thee thine things thou thought throne trembling true truth Twas verse Virgil virtue Westminster Abbey wife wings wise words wretched write youth
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الصفحة 269 - To know but this, that Thou art good, And that myself am blind; Yet gave me, in this dark estate, To see the good from ill; And binding Nature fast in fate, Left free the human will. What conscience dictates to be done, Or warns me not to do, This, teach me more than Hell to shun, That, more than Heaven pursue.
الصفحة 74 - Ten censure wrong for one who writes amiss ; A fool might once himself alone expose, Now one in verse makes many more in prose. 'Tis with our judgments as our watches, none Go just alike, yet each believes his own.
الصفحة 269 - Let not this weak, unknowing hand Presume thy bolts to throw, And deal damnation round the land On each I judge thy foe.
الصفحة 84 - True ease in writing comes from art, not chance, As those move easiest who have learn'd to dance. 'Tis not enough no harshness gives offence ; The sound must seem an echo to the sense.
الصفحة 110 - And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
الصفحة 90 - Tis not enough your counsel still be true ; Blunt truths more mischief than nice falsehoods do ; Men must be taught as if you taught them not, And things unknown proposed as things forgot.
الصفحة 278 - Wharton, the scorn and wonder of our days, Whose ruling passion was the lust of praise: Born with whate'er could win it from the wise, Women and fools must like him or he dies; Though wondering senates hung on all he spoke, The club must hail him master of the joke.
الصفحة 99 - To one man's treat, but for another's ball ? When Florio speaks, what virgin could withstand, If gentle Damon did not squeeze her hand ? With varying vanities, from ev'ry part, They shift the moving toyshop of their heart; Where wigs with wigs, with sword-knots sword-knots strive, Beaux banish beaux, and coaches coaches drive.
الصفحة 81 - Th' increasing prospect tires our wandering eyes, Hills peep o'er hills, and Alps on Alps arise ! A perfect judge will read each work of wit With the same spirit that its author writ ; Survey the whole, nor seek slight faults to find Where nature moves, and rapture warms the mind ; Nor lose, for that malignant dull delight, The generous pleasure to be charm'd with wit.
الصفحة 102 - But chiefly Love — to Love an altar built, Of twelve vast French romances, neatly gilt. There lay three garters, half a pair of gloves, And all the trophies of his former loves ; With tender billet-doux he lights the pyre, And breathes three am'rous sighs to raise the fire.