Lectures on the English PoetsTaylor and Hessey, 1818 - 331 من الصفحات |
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... is o'er , " read " Now night descending , the proud scene is o'er . ” Page 22 , dele quotation , " In outward shew , " & c . ་ ་ Page 114 , line 20 , dele the word " put . ” LECTURES ON THE ENGLISH POETS . LECTURE I. - INTRODUCTORY.
... is o'er , " read " Now night descending , the proud scene is o'er . ” Page 22 , dele quotation , " In outward shew , " & c . ་ ་ Page 114 , line 20 , dele the word " put . ” LECTURES ON THE ENGLISH POETS . LECTURE I. - INTRODUCTORY.
الصفحة 15
... shew , — Now night descending " The pageantanded , the proud scene is o'er , But lives in Settle's numbers one day more ! " -when Collins makes Danger , " with limbs of giant mould , " " Throw him on the steep Of some loose hanging rock ...
... shew , — Now night descending " The pageantanded , the proud scene is o'er , But lives in Settle's numbers one day more ! " -when Collins makes Danger , " with limbs of giant mould , " " Throw him on the steep Of some loose hanging rock ...
الصفحة 20
... shew that they know little about poetry , and have little love for the art . Painting gives the object itself ; poetry what it implies . Painting embodies what a thing contains in itself : poetry suggests what exists out of it , in any ...
... shew that they know little about poetry , and have little love for the art . Painting gives the object itself ; poetry what it implies . Painting embodies what a thing contains in itself : poetry suggests what exists out of it , in any ...
الصفحة 37
... it were indeed possible to shew that this writer was nothing , it would only be another in- stance of mutability , another blank made , another void left in the heart , another confirmation of that ON POETRY IN GENERAL . 37.
... it were indeed possible to shew that this writer was nothing , it would only be another in- stance of mutability , another blank made , another void left in the heart , another confirmation of that ON POETRY IN GENERAL . 37.
الصفحة 45
... shew his power over the reader's mind , but the power which his subject has over his own . The readers of Chaucer's poetry feel more nearly what the persons he describes must have felt , than perhaps those of any other poet . His ...
... shew his power over the reader's mind , but the power which his subject has over his own . The readers of Chaucer's poetry feel more nearly what the persons he describes must have felt , than perhaps those of any other poet . His ...
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admirable affectation allegory appear Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer common Cutty Sark death delight describes doth equal excellence face Faery Queen fame fancy feeling finest flowers genius gives Gonne grace Gulliver's Travels happy hates hath heart heaven Herbert Croft hire Homer human idea images imagination interest kind Knight's Tale labour language less light lines living look Lord Lord Byron Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted passion pathos persons pleasure poem poet poetical poetry Pope praise prose racter reader rhyme satire scene sense sentiment Shakspeare Shanter shew song soul sound Spenser spirit spring story style sweet ther thing thou thought tion Titian tree truth verse Whan wings wolde words Wordsworth writer wyllowe-tree youth
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الصفحة 328 - Each spake words of high disdain And insult to his heart's best brother: They parted — ne'er to meet again! But never either found another To free the hollow heart from paining — They stood aloof, the scars remaining, Like cliffs which had been rent asunder A dreary sea now flows between ; — But neither heat, nor frost, nor thunder, Shall wholly do away, I ween, The marks of that which once hath been.
الصفحة 123 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
الصفحة 305 - Great princes' favourites their fair leaves spread But as the marigold at the sun's eye; And in themselves their pride lies buried, For at a frown they in their glory die. The painful warrior famoused for fight, After a thousand victories once foil'd, Is from the book of honour razed quite, And all the rest forgot for which he toil'd.
الصفحة 145 - Tis with our judgments as our watches, none Go just alike, yet each believes his own.
الصفحة 10 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
الصفحة 126 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
الصفحة 114 - ... devout prayer to that eternal Spirit, who can enrich with all utterance and knowledge, and sends out his seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases...
الصفحة 185 - Just earns a scanty pittance, and at night Lies down secure, her heart and pocket light ; She for her humble sphere by nature fit, Has little understanding, and no wit, Receives no praise, but (though her lot be such, Toilsome and indigent) she renders much ; Just knows, and knows no more, her bible true, A truth the brilliant Frenchman never knew, And in that charter reads, with sparkling eyes, Her title to a treasure in the skies.
الصفحة 228 - tis madness to defer: Next day the fatal precedent will plead ; Thus on, till wisdom is push'd out of life. Procrastination is the thief of time ; Year after year it steals, till all are fled, And to the mercies of a moment leaves The vast concerns of an eternal scene.
الصفحة 153 - ... In the worst inn's worst room, with mat half -hung, The floors of plaster, and the walls of dung, On once a flock-bed, but repaired with straw, With tape-tied curtains never meant to draw, The George and Garter dangling from that bed Where tawdry yellow strove with dirty red, Great Villiers lies — alas ! how changed from him, That life of pleasure, and that soul of whim ! Gallant and gay, in Cliveden's proud alcove, The bower of wanton Shrewsbury and love ; Or just as gay at council, in a ring...