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paintings, has a masculine sincerity which is absent from at least the later works of Perugino.

Some miles beyond Cagli, the real pass of the Furlo begins. It owes its name to a narrow tunnel bored by Vespasian in the solid rock, where limestone crags descend on the Barano. The Romans called this gallery Petra Pertusa, or Intercisa, or more familiarly Forulus, whence comes the modern name. Indeed, the stations on the old Flaminian Way are still well marked by Latin designations; for Cagli is the ancient Calles, and Fossombrone is Forum Sempronii, and Fano the Fanum Fortunæ. Vespasian commemorated this early achievement in engineering by an inscription carved on the living stone, which still remains; and Claudian, when he sang the journey of his Emperor Honorius from Rimini to Rome, speaks thus of what was even then an object of astonishment to travelers :

Laetior hinc fano recipit fortuna vetusto,
Despiciturque vagus praerupta valle Metaurus,
Qua mons arte patens vivo se perforat arcu
Admittitque viam sectae per viscera rupis.

The Forulus itself may now be matched, on any Alpine pass, by several tunnels of far mightier dimensions; for it is narrow, and does not extend more than 126 feet in length. But it occupies a fine position at the end of a really imposing ravine. The whole Furlo Pass might, without too much exaggeration, be described as a kind of Cheddar on the scale of the Via Mala. The limestone rocks, which rise on either hand above the gorge to an enormous height, are noble in form and solemn, like a succession of gigantic portals, with stupendous flanking obelisks and pyramids. Some of these crag-masses rival the fantastic cliffs of Capri, and all consist of that southern mountain limestone which changes from pale yellow to blue gray and dusky orange. A river roars precipitately through the pass, and the road-sides wave with many sorts of campanulas-a profusion of azure and purple bells upon the hard white stone. Of Roman remains there is still enough (in the way of Roman bridges and

bits of broken masonry) to please an antiquarian's eye. But the lover of nature will dwell chiefly on the picturesque qualities of this historic gorge, so alien to the general character of Italian scenery, and yet so remote from anything to which Swiss traveling accustoms one.

The Furlo breaks out into a richer land of mighty oaks and waving cornfields, a fat pastoral country, not unlike ✓ Devonshire in detail, with green uplands, and wild-rose tangled hedgerows, and much running water, and abundance of summer flowers. At a point above Fossombrone, the Barano joins the Metauro, and here one has a glimpse of far-away Urbino, high upon its mountain eyrie. It is so rare, in spite of immemorial belief, to find in Italy a wilderness of wild flowers, that I feel inclined to make a list of those I saw from our carriage windows as we rolled down lazily along the road to Fossombrone. Broom, and cytisus, and hawthorn mingled with roses, gladiolus, and saintfoil. There were orchises, and clematis, and privet, and wildvine, vetches of all hues, red poppies, sky-blue cornflowers, and lilac pimpernel. In the rougher hedges, dogwood, honeysuckle, pyracanth, and acacia made a network of white bloom and blushes. Milkworts of all bright and tender tints combined with borage, iris, hawkweeds, harebells, crimson clover, thyme, red snapdragon, golden asters, and dreamy love-in-a-mist, to weave a marvelous carpet such as the looms of Shiraz or of Cashmere never spread. Rarely have I gazed on Flora in such riot, such luxuriance, such self-abandonment to joy. The air was filled with fragrances. Songs of cuckoos and nightingales echoed from the copses on the hill-sides. The sun was out, and dancing over all the landscape.

After all this, Fano was very restful in the quiet sunset. It has a sandy stretch of shore, on which the long, greenyellow rollers of the Adriatic broke into creamy foam, beneath the waning saffron light over Pesaro and the rosy rising of a full moon. This Adriatic sea carries an English mind home to many a little watering-place upon our coast. In color and the shape of waves it resembles our Channel.

The sea-shore is Fano's great attraction; but the town has many churches, and some creditable pictures, as well as Roman antiquities. Giovanni Santi may here be seen almost as well as at Cagli; and of Perugino there is one truly magnificent altar-piece-lunette, great center panel, and predella-dusty in its present condition, but splendidly painted, and happily not yet restored or cleaned. It is worth journeying to Fano to see this. Still better would the journey be worth the traveler's while if he could be sure to witness such a game of Pallone as we chanced upon in the Via dell' Arco di Augusto-lads and grown men, tightly girt, in shirt sleeves, driving the great ball aloft into the air with cunning bias and calculation of projecting house-eaves. I do not understand the game; but it was clearly played something after the manner of our football, that is to say, with sides, and front and back players so arranged as to cover the greatest number of angles of incidence on either wall.

Fano still remembers that it is the Fane of Fortune. On the fountain in the market-place stands a bronze Fortuna, slim and airy, offering her veil to catch the wind. May she long shower health and prosperity upon the modern watering-place of which she is the patron saint!

66

THE PALACE OF URBINO.

66

I.

At Rimini, one spring, the impulse came upon my wife and me to make our way across San Marino to Urbino. In the Piazza, called apocryphally after Julius Cæsar, I found a proper vetturino, with a good carriage and two indefatigable horses. He was a splendid fellow, and bore a great historic name, as I discovered when our bargain was completed. What are you called?" I asked him. Filippo Visconti, per servirla!" was the prompt reply. Brimming over with the darkest memories of the Italian Renaissance, I hesitated when I heard this answer. The associations seemed too ominous. And yet the man himself was so attractive-tall, stalwart, and well lookingno feature of his face or limb of his athletic form recalling the gross tyrant who concealed worse than Caligula's ugliness from sight in secret chambers-that I shook this preconception from my mind. As it turned out, Filippo Visconti had nothing in common with his infamous namesake but the name. On a long and trying journey, he showed neither sullen nor yet ferocious tempers; nor, at the end of it, did he attempt by any master-stroke of craft to wheedle from me more than his fair pay; but took the meerschaum pipe I gave him for a keepsake, with the frank good-will of an accomplished gentleman. The only exhibition of his hot Italian blood which I remember did his humanity credit. While we were ascending a steep hillside, he jumped from his box to thrash a ruffian by the roadside for brutal treatment to a little boy. He broke his whip, it is true, in this encounter; risked a dangerous. quarrel; and left his carriage, with myself and wife inside it, to the mercy of his horses in a somewhat perilous position. But when he came back, hot and glow

ing, from this deed of justice, I could only applaud his zeal.

An Italian of this type, handsome as an antique statue, with the refinement of a modern gentleman and that intelligence which is innate in a race of immemorial cul ture, is a fascinating being. He may be absolutely ignorant in ail book-learning. He may be as ignorant as a Bersagliere from Montalcino with whom I once conversed at Rimini, who gravely said that he could walk in three months to North America, and thought of doing it when his term of service was accomplished. But he will display, as this young soldier did, a grace and ease of address which are rare in London drawing-rooms; and by his shrewd remarks upon the cities he has visited, will show that he possesses a fine natural taste for things of beauty. The speech of such men, drawn from the common stock of the Italian people, is seasoned with proverbial sayings, the wisdom of centuries condensed in a few nervous words. When emotion fires their brain, they break into spontaneous eloquence, or suggest the motive of a poem by phrases pregnant with imagery.

For the first stage of the journey out of Rimini, Filippo's two horses sufficed. The road led almost straight across the level between quickset hedges in white bloom. But when we reached the long steep hill which ascends to San Marino, the inevitable oxen were called out, and we toiled upwards leisurely through cornfields bright with red anemones and sweet narcissus. At this point pomegranate hedges replaced the May-thorns of the plain. In 、 course of time our bovi brought us to the Borgo, or lower town, whence there is a further ascent of seven hundred feet to the topmost hawk's-nest or acropolis of the republic. These we climbed on foot, watching the view expand around us and beneath. Crags of limestone here break down abruptly to the rolling hills, which go to lose themselves in field and shore. Misty reaches of the Adriatic close the world to eastward. Cesena, Rimini, Verucchio, and countless hill-set villages, each isolated on its tract of verdure conquered from the stern gray soil, define the points where Montefeltri wrestled with Malates

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