Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe

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Oxford University Press, 2000 - 494 من الصفحات
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It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket.
 

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المحتوى

Introduction
1
Note on Editions Spellings Translations and Citations
11
PRINTING THE DRAMA
13
THEATRE IMPRIMATUR
91
THE SENSES OF MEDIA
145
THE COMMERCE OF LETTERS
201
THEATRICAL IMPRESSIONS
255
Epilogue
308
Notes
313
Works Cited
444
Index
487
حقوق النشر

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عبارات ومصطلحات مألوفة

نبذة عن المؤلف (2000)

Julie Stone Peters is Professor of English and Comparative Literature, Columbia University, NY.

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