Shakespeare Criticism: A Selection, 1623-1840Oxford University Press, 1961 - 371 من الصفحات Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
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الصفحة 193
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
الصفحة 332
... reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
... reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
الصفحة 344
... reason why marked or complex variety of character was slighted by the great principles of the Greek tragedy . And every scholar who has studied that grand drama of Greece with feeling , —that drama , so magnificent , so regal , so ...
... reason why marked or complex variety of character was slighted by the great principles of the Greek tragedy . And every scholar who has studied that grand drama of Greece with feeling , —that drama , so magnificent , so regal , so ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration appear audience Banquo Beaumont and Fletcher beauty Ben Johnson Caliban censure character circumstances comedy Courage criticism daughters delight dialogue drama effect endeavoured English Euripides excellence expressed faculties Falstaff fancy faults feel genius give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth language Lear look Macbeth MAURICE MORGANN ment mind moral murther nature never numbers object observation occasion Othello passages passion perhaps play poet poetic poetry Polonius possessed praise principles Prospero qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles speare speech spirit stage supposed thee thing thou thought thro tion tragedy true truth unity Venus and Adonis Voltaire whole words writers