The Influence of Milton on English PoetryRussell & Russell, 1922 - 722 من الصفحات |
من داخل الكتاب
النتائج 1-5 من 62
الصفحة
... lyric awakening , to follow the history of non - dramatic blank verse from its beginnings to the boyhood of Tennyson , and of the sonnet from the restoration of the Stuarts to the accession of Victoria . My method has been to examine ...
... lyric awakening , to follow the history of non - dramatic blank verse from its beginnings to the boyhood of Tennyson , and of the sonnet from the restoration of the Stuarts to the accession of Victoria . My method has been to examine ...
الصفحة 9
... lyric poets , who natu- rally made more use of the octosyllabics , sonnets , and other short pieces , were as whole - hearted in their admiration of the epic as they were unblushing in adopting its phraseology and diction . During the ...
... lyric poets , who natu- rally made more use of the octosyllabics , sonnets , and other short pieces , were as whole - hearted in their admiration of the epic as they were unblushing in adopting its phraseology and diction . During the ...
الصفحة 10
... Lyric Poetry in our Language , L'allegro and Il penseroso of Milton ex- cepted , which are the finest in any . " Miss Seward , who " lisped these companion poems " when only in her third year , " and who often delighted herself by ...
... Lyric Poetry in our Language , L'allegro and Il penseroso of Milton ex- cepted , which are the finest in any . " Miss Seward , who " lisped these companion poems " when only in her third year , " and who often delighted herself by ...
الصفحة 28
... Festing , see Miscellany of Lyric Poems performed in the Academy of Music ( 1740 ) , 61-2 ; the hymn , " set to musick " by J. E. Galliard , was published in 1728 and 1773 . ment " in memory of the Duke of York ; 28 THE INFLUENCE OF MILTON.
... Festing , see Miscellany of Lyric Poems performed in the Academy of Music ( 1740 ) , 61-2 ; the hymn , " set to musick " by J. E. Galliard , was published in 1728 and 1773 . ment " in memory of the Duke of York ; 28 THE INFLUENCE OF MILTON.
الصفحة 51
... Lyrics without rime — usually , like Collins's exquisite Ode to Evening , in the meter of Milton's translation of Horace's ode to Pyrrha — were not uncommon after 1740. * Critics and writers on prosody also assailed rime . John Mason ...
... Lyrics without rime — usually , like Collins's exquisite Ode to Evening , in the meter of Milton's translation of Horace's ode to Pyrrha — were not uncommon after 1740. * Critics and writers on prosody also assailed rime . John Mason ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
adjectives admired Aeneid Allegro ANON appeared bard beauty blank verse borrowings Coleridge Comus Cowper Crit Critical Cyder descriptive edition eighteenth century English Poets epic Essay expression Georgics Grongar Hill heaven heroic couplet Hill Homer Hymn Hyperion Iliad imitation influence inversions James John Joseph Warton Keats language later Latin less letter lines literary Lycidas lyric meter Milton Miltonic blank verse Miscellany Monody Muse nature Night Thoughts o'er octosyllabics Odyssey Oxford Paradise Lost passages Penseroso Philips phrases pieces Poetical poetry Pope Pope's popular praise preface probably prose prosody published quatorzains quoted readers references Review rime Satan Seasons seems seen song sonnets Southey Spenser spirit Splendid Shilling stanza style and diction sweet thee things Thomas Thomas Warton Thomson thou tion translation unrimed poem viii Virgil Warton William words Wordsworth writers written wrote Young
مقاطع مشهورة
الصفحة 185 - But worthier still of note Are those fraternal Four of Borrowdale, Joined in one solemn and capacious grove; Huge trunks! and each particular trunk a growth Of intertwisted fibres serpentine Up-coiling, and inveterately convolved; Nor uniformed with Phantasy, and looks That threaten the profane...
الصفحة 178 - Lastly, whatsoever in religion is holy and sublime, in virtue amiable or grave, whatsoever hath passion or admiration in all the changes of that which is called fortune from without, or the wily subtleties and refluxes of man's thoughts from within ; all these things with a solid and treatable smoothness to paint out and describe.
الصفحة 204 - She was a Goddess of the infant world ; By her in stature the tall Amazon Had stood a pigmy's height: she would have ta'en Achilles by the hair and bent his neck ; Or with a finger stay'd Ixion's wheel.
الصفحة 206 - I have given up Hyperion — there were too many Miltonic inversions in it — Miltonic verse cannot be written but in an artful, or, rather, artist's humour. I wish to give myself up to other sensations. English ought to be kept up.
الصفحة 84 - Phlegra with the heroic race were join'd That fought at Thebes and Ilium, on each side Mix'd with auxiliar gods ; and what resounds In fable or romance of Uther's son Begirt with British and Armoric knights ; And all who since, baptized or infidel, Jousted in Aspramont, or Montalban, Damasco, or Marocco, or Trebisond, Or whom Biserta sent from Afric shore, When Charlemain with all his peerage fell By Fontarabia.
الصفحة 192 - The appearance, instantaneously disclosed, Was of a mighty city — boldly say A wilderness of building, sinking far And self-withdrawn into a wondrous depth, Far sinking into splendor — without end ! Fabric it seemed of diamond and of gold, With alabaster domes, and silver spires, And blazing terrace upon terrace, high Uplifted ; here, serene pavilions bright, In avenues disposed ; there, towers begirt With...
الصفحة 588 - Twilight gray had in her sober livery all things clad : Silence accompanied ; for Beast and Bird, they to their grassy couch, these to their nests, were slunk, — all but the wakeful nightingale; she, all night long, her amorous descant sung; Silence was pleased. Now...
الصفحة 230 - His wandering step Obedient to high thoughts, has visited The awful ruins of the days of old : Athens, and Tyre, and Balbec, and the waste Where stood Jerusalem, the fallen towers Of Babylon, the eternal pyramids, Memphis and Thebes, and whatsoe'er of strange Sculptured on alabaster obelisk, Or jasper tomb, or mutilated sphynx, Dark Ethiopia in her desert hills Conceals.
الصفحة 597 - With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light: There let the pealing organ blow, To the full-voiced choir below, In service high, and anthems clear, As may with sweetness through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes.
الصفحة 81 - Their song was partial, but the harmony (What could it less when spirits immortal sing?) Suspended Hell, and took with ravishment The thronging audience.