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"Athens, Capuchin Convent, March 17. 1811.

Slow sinks, more lovely ere his race be run, 2
Along Morea's hills the setting sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O'er the hush'd deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old AEgina's rock and Hydra's isle
The god of gladness sheds his parting smile;
O'er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious gulf, unconquer'd Salamis
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

On such an eve his palest beam he cast When, Athens ! here thy wisest look'd his last. How watch'd thy better sons his farewell ray, That closed their murder'd sage's 3 latest day ! Not yet — not yet—Sol pauses on the hill, The precious hour of parting lingers still ; But sad his light to agonising eyes, And dark the mountain's once delightful dyes; Gloom o'er the lovely land he seem'd to pour, The land where Phoebus never frown'd before; But ere he sunk below Cithaeron's head, The cup of woe was quaff'd — the spirit fled; The soul of him that scorn'd to fear or fly, Who lived and died as none can live or die.

But, lo from high Hymettus to the plain The queen of night asserts her silent reign; *

1 This fierce philippic on Lord Elgin, whose collection of Athenian marbles was ultimately purchased for the nation, in 1s10, at the cost of thirty-five thousand pounds, was written at Athens, in March, 1811, and prepared for publication along with the “Hints from Horace;” but, like that satire, suppressed by Lord Byron, from notives which the reader will easily understand. It was first given to the world in 1828. Few can wonder that Lord Byron's feelings should have been werfully excited by the spectacle of the despoiled Parthenon; Fo it is only due to Lord Elgin to keep in mind, that, had those precious marbles remained, they must, in all likelihood, have perished for ever amidst the miserable scenes of violence which Athens has since witnessed ; and that their presence in England has already, by universal admission, been of the most essential advantage to the fine arts of our own country. The political allusions in this poem are not such as require much explanation. It contains many lines, which, it is hoped, the author, on mature reflection, disapproved of —but is too vigorous a specimen of his immbics to be omitted in any collective edition of his works.] * [The splendid lines with which this satire opens, down to “As thus, within the walls of Pallas' sane,” sirst appeared at the commencernent of the third canto of the Corsair, the author having, at that time, abandoned all notion of publishing the piece of which they originally made part.) 3 Socrates drank the hemlock a short time before sunset (the hour of execution), notwithstanding the entreaties of his discipies to wait till the sun went down.

No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form.
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o'er the minaret:
The groves of olive scatter'd dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk, ,
And sad and sombre mid the holy calm,
Near Theseus' fame, yon solitary palm ;
All, tinged with varied hues, arrest the eye;
And dull were his that pass'd them heedless by. 6

Again the AEgean, heard no more afar, Lulls his chafed breast from elemental war; Again his waves in milder tints unfold Their long expanse of sapphire and of gold, Mix'd with the shades of many a distant isle, That frown, where gentler ocean deigns to smile.

As thus, within the walls of Pallas’ fane, I mark'd the beauties of the land and main, Alone, and friendless, on the magic shore, Whose arts and arms but live in poets' lore; Oft as the matchless dome I turn'd to scan, Sacred to gods, but not secure from man, The past return'd, the present seem'd to cease, And Glory knew no clime beyond her Greece I

Hours roll'd along, and Dian's orb on high Had gain'd the centre of her softest sky; And yet unwearied still my footsteps trod O'er the vain shrine of many a vanish'd god : But chiefly, Pallas ! thine ; when Hecate's glare, Check'd by thy columns, fell more sadly fair

* The twilight in Greece is much shorter than in our own country; the days in winter are longer, but in summer of less duration.

* The kiosk is a Turkish summer-house; the palm is without the present walls of Athens, not far from the temple of Theseus, between which and the tree the wall intervenes. ou" stream is indeed scanty, and Ilissus has no stream at al

6 [During our residence of ten weeks at Athens, there was not, I believe, a day of which we did not devote a part to the contemplation of the noble monuments of Grecian genius, that have outlived the ravages of time, and the outrage of barbarous and antiquarian despoilers. The Temple of Theseus, which was within five minutes' walk of our so is the most perfect ancient edifice in the world. In this fatric, the most enduring stability, and a simplicity of design peculiarly striking, are united with the highest elegance and accuracy of workmanship ; the characteristic of the Doric style, whose chaste beauty is not, in the opinion of the first artists, to be equalled by the graces of any of the other orders. A gentleman of Athens, of great taste and skill, assured us that, after a continued contemplation of this temple, and the remains of the Parthenon, he could never again look with his accustomed satisfaction upon the lonic and Corinthian ruins of Athens, much less upon the specimens of the more modern species of architecture to be seen in Italy. — Houilouse.]

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O'er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo a giant form before me strode,
And Pallas hail'd me in her own abode 1

Yes, 'twas Minerva's self; but, ah how changed Since o'er the Dardan field in arms she ranged : Not such as erst, by her divine command, Her form appear'd from Phidias' plastic hand : Gone were the terrors of her awful brow, IHer idle aegis bore no Gorgon now ; Her helm was dinted, and the broken lance Seem'd weak and shaftless e'en to mortal glance ; The olive branch, which still she deign'd to clasp, Slurunk from her touch, and wither'd in her grasp ; And, ah though still the brightest of the sky, Celestial tears bedimm'd her large blue eye; Round the rent casque her owlet circled slow, And mourn’d his mistress with a shriek of woe

“Mortal "-'t was thus she spake — “ that blush of shame

Proclaims thee Briton, once a noble name ;
First of the mighty, foremost of the free,
Now honour’d less by all, and least by me:
Chief of thy foes shall Pallas still be found.
Seek'st thou the cause of loathing 2—look around.
Lo here, despite of war and wasting fire,
I saw successive tyrannies expire.
'Scaped from the ravage of the Turk and Goth, !
Thy country sends a spoiler worse than both. ”
Survey this vacant, violated fane ;
Itecount the relics torn that yet remain :
These Cecrops placed, this Pericles adorn'd,3
That Adrian rear'd when drooping Science mourn'd.
What more I owe let gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunder or came,
The insulted wall sustains his hated name * :
For Elgin's fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds ! 3
Be ever hail'd with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the lion quits his fell repast,
Next prowls the wolf, the filthy jackal last :
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the gods are just, and crimes are cross'd :
See here what Elgin won, and what he lost

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Another name with his pollutes my shrine : Behold where Dian's beams disdain to shine t Some retribution still might Pallas claim, When Venus half avenged Minerva's shame."6

She ceased awhile, and thus I dared reply, To soothe the vengeance kindling in her eye : “Daughter of Jove 1 in Britain's injured name, A true-born Briton may the deed disclaim. Frown not on England; England owns him not : Athena, no thy plunderer was a Scot. Ask'st thou the difference 2 From fair Phyle's towers Survey Boeotia; — Caledonia's ours. And well I know within that bastard land 7 Hath Wisdom's goddess never held command ; A barren soil, where Nature's germs, confined To stern sterility, can stint the mind; Whose thistle well betrays the niggard earth, Emblem of all to whom the land gives birth ; Each genial influence nurtured to resist ; A land of meanness, sophistry, and mist. Each breeze from foggy mount and marshy plain Dilutes with drivel every drizzly brain, Till, burst at length, each watery head o'erflows, Foul as their soil, and frigid as their snows. Then thousand schemes of petulance and pride Despatch her scheming children far and wide : Some east, some west, some every where but north, In quest of lawless gain, they issue forth. And thus — accursed be the day and year ! — She sent a Pict to play the felon here. Yet Caledonia claims some native worth, As dull Boeotia gave a Pindar birth ; So may her few, the letter'd and the brave, Bound to no clime, and victors of the grave, Shake off the sordid dust of such a land, And shine like children of a happier strand ; As once, of yore, in some obnoxious place, Ten names (if found) had saved a wretched race.”

“Mortal 1" the blue-eyed maid resumed, “once Bear back my mandate to thy native shore. [more Though fallen, alas ! this vengeance yet is mine, To turn my counsels far from lands like thine. Hear then in silence Pallas' stern behest; Hear and believe, for Time will tell the rest.

“First on the head of him who did this deed My curse shall light, — on him and all his seed : Without one spark of intellectual fire, Be all the sons as senseless as the sire : If one with wit the parent brood disgrace, Believe him bastard of a brighter race :

* This is spoken of the city in general, and not of the Acropolis in particular. The temple of Jupiter Olympius, by some supposed the Pantheon, was finished by Hadrian ; sixteen columns are standing, of the most beautiful marble and architecture.

* [On the original MS. is written — “Aspice quos Pallas Scoto concedit honores, Infră stat nomen — facta supraque vide."] * [For Lord Byron's detailed remarks on Lord Elgin's dealing with the Parthenon, see AppeNdix, note A. to the second canto of Childe Harold.]

* His lordship's name, and that of one who no longer bears

it, are carved conspicuously on the Parthenon ; above, in a

art not far distant, are the torm remnants of the basso reievos, destroyed in a vain attempt to remove them.

h * “Irish bastards," according to Sir Callaghan O'Brallagan.

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Still with his hireling artists let him prate,
And Folly's praise repay for Wisdom's hate ;
Long of their patron's gusto let them tell,
Whose noblest, native gusto is — to sell :
To sell, and make—may Shame record the day !—
The state receiver of his pilfer'd prey. i
Meantime, the flattering, feeble dotard, West,
Europe's worst dauber, and poor Britain's best,
With palsied hand shall turn each model o'er,
And own himself an infant of fourscore. 2
Be all the bruisers cull'd from all St. Giles'
That art and nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his lordship's “stone shop's there.
Round the throng'd gate shall sauntering coxcombs
creep,
To lounge and lucubrate, to prate and peep ;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb ;
Mourns o'er the difference of now and then
Exclaims, “ These Greeks indeed were proper men l'
Draws sly comparisons of these with those,
And envies Lais all her Attic beaux.
When shall a modern maid have swains like these :
Alas ! Sir Harry is no Hercules 1
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mix'd with grief,
Admires the plunder, but abhors the thief. 4
Oh, loathed in life, nor pardon'd in the dust,
May hate pursue his sacrilegious lust .
Link'd with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

“So let him stand, through ages yet unborn, Fix'd statue on the pedestal of Scorn; Though not for him alone revenge shall wait, But fits thy country for her coming fate : Hers were the deeds that taught her lawless son To do what oft Britannia's self had done. Look to the Baltic—blazing from afar, Your old ally yet mourns perfidious war. * Not to such deeds did Pallas lend her aid, Or break the compact which herself had made; Far from such councils, from the faithless field She fled —but left behind her Gorgon shield: A fatal gift, that turn'd your friends to stone, And left lost Albion hated and alone.

“Look to the East, where Ganges' swarthy race Shall shake your tyrant empire to its base;

1 (In 1816, thirty-five thousand pounds were voted by Parliament for the purchase of the Elgin marbles.]

2 Mr. West, on seeing the “1.lgin Collection ” (I suppose we shall hear of the “Abershaw " and “Jack Shephard ” collection), declares himself “a mere tyro" in art.

2 Poor Cribb was sadly puzzled when the marbles were first exhibited at Elgin llouse: he asked if it was not “a stone shop " — He was right; it is a shop.

* [That the Elgin marbles will contribute to the improvement of art in England, cannot be doubted. They must certainly open the eyes of the 13ritish artists, and prove that the true and only road to simplicity and beauty is the study of nature. But, had we a right to diminish the interest of Athcns

Lo there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish 1–Pallas, when she gave
Your free-born rights, forbade ye to enslave.

“Look on your Spain 1—she clasps the hand she hates,

But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa ; thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field by Famine fiercely won,
The Gaul retires for once, and all is done :
Dut when did Pallas teach, that one retreat
Retrieved three long olympiads of defeat?

“Look last at home—ye love not to look there; On the grim smile of comfortless despair : Your city saddens: loud though Revel howls, Here Famine faints, and yonder Rapine prowls. See all alike of more or less bereft ; No misers tremble when there's nothing left. “Blest paper credit '6; who shall dare to sing 2 It clogs like lead Corruption's weary wing. Yet Pallas pluck'd each premier by the ear, Who gods and men alike disdain'd to hear; But one, repentant o'er a bankrupt state, On Pallas calls, — but calls, alas ! too late: Then raves for * *; to that Mentor bends, Though he and Pallas never yet were friends. Him senates hear, whom never yet they heard, Contemptuous once, and now no less absurd. So, once of yore, each reasonable frog Swore faith and fealty to his sovereign “ log.' Thus hail'd your rulers their patrician clod, As Egypt chose an onion for a god.

“Now fare ye well I enjoy your little hour; Go, grasp the shadow of your vanish'd power; Gloss o'er the failure of each fondest scheme; Your strength a name, your bloated wealth a

dream.

Gone is that gold, the marvel of mankind,
And pirates barter all that's left behind. 7
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o'er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumber'd shores:
The starved mechanic breaks his rusting loom,
And desperate mans him 'gainst the coming doom.
Then in the senate of your sinking state
Show me the man whose counsels may have weight.

for selfish motives, and prevent successive generations of other nations from seeing those admirable sculptures 2 The Temple of Minerva was spared as a beacon to the world, to direct it to the knowledge of purity of taste. What can we say to the disappointed traveller, who is now deprived of the rich gratification which would have compensated his travel and his toil”, it will be little consolation to him to say, he may find the sculpture of the Parthenon in England. – H. W. Willi Axis.]

* [The affair of Copenhagen.]

* “Blest paper credit last and best supply,

That lends Corruption lighter wings to fly " —Pope.

7 The Deal and Dover traffickers in specie.

Wain is each voice where tones could once com-
mand;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister isle,
And light with maddening hands the mutual pile.

“'T is done, 'tis past, since Pallas warns in vain; The Furies seize her abdicated reign : Wide o'er the realm they wave their kindling brands, And wring her vitals with their fiery hands. But one convulsive struggle still remains, And Gaul shall weep ere Albion wear her chains. The banner'd pomp of war, the glittering files, O'er whose gay trappings stern Bellona smiles; The brazen trump, the spirit-stirring drum, That bid the foe defiance ere they come; The hero bounding at his country's call, The glorious death that consecrates his fall, Swell the young heart with visionary charms, And bid it antedate the joys of arms.

But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought:
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drench'd with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughter'd peasant and the ravish'd dame,
The rifled mansion and the foe—reap'd field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town 2
How vicw the column of ascending flames
Shake his red shadow o'er the startled Thames 7
Nay, frown not, Albion : for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy bosom who deserves them most.
The law of heaven and earth is life for life,
And she who raised, in vain regrets, the strife.” I

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TO THE PUBLISHER.

Sist, I AM a country gentleman of a midland county. I might have been a parliament-man for a certain borough ; having had the offer of as many votes as General T. at the general election in 1812. 3 But I was all for domestic happiness; as, fifteen years ago, on a visit to London, I married a middle-aged maid of honour. We lived happily at Hornem Hall till last season, when my wife and I were invited by the Countess of Waltzaway (a distant relation of my spouse) to pass the winter in town. Thinking no harm, and our girls being come to a marriageable (or, as they call it, marketable) age, and having

! ("The beautiful but barren Hymettus, the whole coast of Attica, her hills and mountains. Pentelicus. Anchesmus, Philopappus, &c. &c. are in themselves poetical ; and would be so if the name of Athens, of Athenians, and her very ruins, were swept from the earth. But, am I to be told that the “nature" of Attila would be more poetical without the “art" of the Acropolis 2 of the Temple of Theseus 2 and of the still all Greek and glorious monuments of her exquisitely artificial genius 2 Ask the traveller what strikes him as most poetical, the Parthenon, or the rock on which it stands 2 The toluxins of Cape Colonna, or the Cape itself? The rocks at the foot of it, or the recollection that Falconer's ship was bulged upon them 2 There are a thousand rocks and capes far more picturesque than those of the Acropolis and Cape Sunium in themselves. But it is the “art,” the columns, the temples, the wrecked vessel, which give them their antique and their modern poetry, and not the spots themselves. I op

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besides a Chancery suit inveterately entailed upon the family estate, we came up in our old chariot, — of which, by the bye, my wife grew so much ashamed in less than a week, that I was obliged to buy a second-hand barouche, of which I might mount the box, Mrs. H. says, if I could drive, but never see the inside—that place being reserved for the Honourable Augustus Tiptoe, her partner-general and operaknight. Hearing great praises of Mrs. H.'s dancing (she was famous for birthnight minuets in the latter end of the last century), I unbooted, and went to a ball at the Countess's, expecting to see a country dance, or, at most, cotillions, reels, and all the old paces to the newest tunes. But, judge of my surprise, on arriving, to see poor dear Mrs. Hornem with her

posed, and will ever oppose, the robbery of ruins from Athens, to instruct the English in sculpture; but why did I do so * The rurns are as poetical in Piccadilly as they were in the Parthenon ; but the Parthenon and its rock are less so without them. Such is the poetry of art.”—Byron Letters, 1821.]

* [This trifle was written at Cheltenham in the autumn of 1812, and published anonymously in the spring of the following year. It was not very well received at the time by the public; and the author was by no means anxious that it should be considered as his handiwork. “I hear,” he says, in a letter to a friend, “that a certain malicious publication on waltzing is attributed to me. . This report, I suppose, you will take care to contradict ; as the author, I am sure, will not like that I should wear his cap and bells.”)

State of the poll (last day), 5.

arms half round the loins of a huge hussar-looking gentleman I never set eyes on before; and his, to say truth, rather more than half round her waist, turning round, and round, and round, to a d-d see-saw up-and-down sort of tune, that reminded me of the “Black joke,” only more “affetuoso,” till it made me quite giddy with wondering they were not so. By-and-by they stopped a bit, and I thought thcy would sit or fall down: — but no; with Mrs. H.'s hand on his shoulder, “quam familiariter” 1 (as Terence said, when I was at school), they walked about a minute, and then at it again, like two cockchafers spitted on the same bodkin. I asked what all this meant, when, with a loud laugh, a child no older than our Wilhelmina (a name I never heard but in the Vicar of Wakefield, though her mother would call her after the Princess of Swappenbach,) said, “Lord! Mr. Hornem, can't you see they are waltzing 7" or waltzing (I forget which); and then up she got, and her mother and sister, and away they wcnt, and round-abouted it till supper time. Now, that I know what it is, I like it of all things, and so does Mrs. H. (though I have broken my shins, and four times overturned Mrs. Hornem's maid, in practising the preliminary steps in a morning). Indeed, so much do I like it, that having a turn for rhyme, tastily displayed in some election ballads, and songs in honour of all the victories (but till lately I have had little practice in that way), I sat down, and with the aid of William Fitzgerald, Esq. 2, and a few hints from Dr. Busby 3, (whose recitations I attend, and am monstrous fond of Master Busby's manner of delivering his father's late successful “Drury Lane Address,”) I composed the following hymn, wherewithal to make my sentiments known to the public; whom, nevertheless, I heartily despise, as well as the critics. I am, Sir, yours, &c. &c.

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! My Latin is all forgotten, if a man can be said to have forgotten what he never remembered ; but I bought my title-page motto of a Catholic priest for a three-shilling bank token, after much haggling for the even sixpence. I grudged the money to a papist, being all for the memory of l'erceval and “ No popery," and quite regretting the downfal of the pope, because we can't burn him any more. * [See ante. p. 421.] * [See “Rejected Addresses."] * “ Glance their many-twinkling feet.”—GRAY. * To rival Lord Wellesley's, or his nephew's, as the reader leases: — the one gained a pretty woman, whom he deserved, y fighting for ; , and the other has been tighting in the Peninsula many a long day, “by Shrewsbury clock,” without io anything in that country but the title of “the Great ord." and the Lord ; ” which savours of profanation, having been hitherto applied only to that Being to whom “Te Drums " for carnage are the rankest blasphemy. — It is

testant.

to be presumed the general will one day return to his Sabine

farm ; there “To tame the genius of the stubborn plain, Almost as quickly as he conquer'd Spain :" The Lord Peterborough conquered continents in a summer : we do more — we contrive both to conquer and lose them in a shorter season. If the “great Lord's "Cincinnatian progress

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Hail, nimble nymph 1 to whom the young hussar, The whisker'd votary of waltz and war, His night devotes, despite of spur and boots; A sight unmatch'd since Orpheus and his brutes : Hail, spirit-stirring Waltz " — beneath whose banners A modern hero fought for modish manners; On Hounslow's heath to rival Wellesley's 3 fame, Cock'd — fired—and miss'd his man—but gain'd his

aim ;

Hail, moving Muse ! to whom the fair one's breast
Gives all it can, and bids us take the rest.
Oh for the flow of Busby, or of Fitz,
The latter's loyalty, the former's wits,
To “energise the object I pursue,”6
And give both Belial and his dance their due !

Imperial Waltz imported from the Rhine (Famed for the growth of pedigrees and wine), Long be thine import from all duty free, And hock itself be less esteem'd than thee: In some few qualities alike — for hock Improves our cellar—thou our living stock. The head to hock belongs—thy subtler art Intoxicates alone the heedless heart: Through the full veins thy gentler poison swims, And wakes to wantonness the willing limbs.

Oh, Germany how much to thee we owe, As heaven-born Pitt can testify below, Ere cursed confederation made thee France's, And only left us thy d-d debts and dances ! Of subsidies and Hanover bereft, We bless thee still — for George the Third is left 1 Of kings the best — and last, not least in worth, For graciously begetting George the Fourth.

in agriculture be no speedier than the proportional average of time in Pope's couplet, it will, according to the farmers' proverb, be “ploughing with dogs.” By the bye–one of this illustrious person's new titles is forgotten — it is, however, worth remembering —“Salvador del mundo 1" credite, posteri ( If this be the appellation annexed by the inhabitants of the Peninsula to the name of a man who has not yet saved them — query — are they worth saving, even in this world 2 for, according to the mildest modifications of any Christian creed, those three words make the odds much against them in the next. – “Saviour of the world," quotha — it were to be wished that he, or any one else, could save a corner of it—his country. Yet this stupid misnomer, although it shows the near connection between superstition and impiety, so far has its use, that it proves there can be little to dread from those Catholics (inquisitorial Catholics too) who can confer such an appellation on a ProI suppose next year he will be entitled the “Virgin Mary :" if so, Lord George Gordon himself would have nothing to object to such liberal bastards of our Lady of Babylon. * [Among the addresses sent in to the Drury Lane Committee was one by Dr. Busby, which began by asking—

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