Georges Feydeau and the Aesthetics of Farce

accept action actually adultery appear attempts attitude audience becomes bourgeois called characters clown cocotte comedy comic common conventional create critics Dame deception developed Dindon direct discussion drama effect example expression fact fantasy farce farcical fear feel Feydeau's plays folly fools forces foreigners French Georges Feydeau give human husband important kind L'Hôtel later laughter less limited logic lover madness Main marriage married means method misunderstandings Monsieur moral nature never objects observation original Paris passe patte performance person physical Plautus plays playwright plot possible present produce Puce reality reason respectability result role rules scandal scene seems seen sense serious servant sexual simple situation society stage standards suggests theatre theatrical theme things threat University usually values vaudeville violence wife women York young