Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 155
... FALSTAFF THE ideas which I have formed concerning the Courage and Military Character of the Dramatic Sir John Falstaff , are so different from those which I find generally to prevail in the world , that I shall take the liberty of ...
... FALSTAFF THE ideas which I have formed concerning the Courage and Military Character of the Dramatic Sir John Falstaff , are so different from those which I find generally to prevail in the world , that I shall take the liberty of ...
الصفحة 163
... Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term , Courage ; however may incidentally throw some lights on the whole.- The reader will ...
... Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term , Courage ; however may incidentally throw some lights on the whole.- The reader will ...
الصفحة 179
... Falstaff , excepting the Prince and Poins , whose evidence I have begged leave to reserve , and excepting a very severe censure passed on him by Lord John of Lancaster , which I shall presently consider : But I must first observe , that ...
... Falstaff , excepting the Prince and Poins , whose evidence I have begged leave to reserve , and excepting a very severe censure passed on him by Lord John of Lancaster , which I shall presently consider : But I must first observe , that ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers