Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 122
... Hamlet is , through the whole play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet ...
... Hamlet is , through the whole play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet ...
الصفحة 263
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
الصفحة 309
... Hamlet ; and as Ophelia had seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon ...
... Hamlet ; and as Ophelia had seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers