Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 118
A Selection David Nichol Smith. King Lear THE Tragedy of Lear is deservedly celebrated among the dramas of Shakespeare . There is perhaps no play which keeps the attention so strongly fixed ; which so much agitates our passions and ...
A Selection David Nichol Smith. King Lear THE Tragedy of Lear is deservedly celebrated among the dramas of Shakespeare . There is perhaps no play which keeps the attention so strongly fixed ; which so much agitates our passions and ...
الصفحة 120
... Lear's disordered mind be the loss of his kingdom or the cruelty of his daughters . Mr. Murphy , a very judicious critick , has evinced by induction of particular passages , that the cruelty of his daughters is the primary source of his ...
... Lear's disordered mind be the loss of his kingdom or the cruelty of his daughters . Mr. Murphy , a very judicious critick , has evinced by induction of particular passages , that the cruelty of his daughters is the primary source of his ...
الصفحة 205
... Lear ever produced in me . But the Lear of Shakspeare cannot be acted . The contemptible machinery by which they mimic the storm which he goes out in , is not more inadequate to represent the horrors of the real elements , than any ...
... Lear ever produced in me . But the Lear of Shakspeare cannot be acted . The contemptible machinery by which they mimic the storm which he goes out in , is not more inadequate to represent the horrors of the real elements , than any ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers