Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 59
A Selection David Nichol Smith. the unities of action , of place , and of time , are in this play , though almost constantly violated by Shakespeare , exactly observed . The action is one , great , and entire , the restoration of ...
A Selection David Nichol Smith. the unities of action , of place , and of time , are in this play , though almost constantly violated by Shakespeare , exactly observed . The action is one , great , and entire , the restoration of ...
الصفحة 95
A Selection David Nichol Smith. some action , and an action must be in some place ; but the different actions that compleat a story may be in places very remote from each other ; and where is the absurdity of allowing that space to ...
A Selection David Nichol Smith. some action , and an action must be in some place ; but the different actions that compleat a story may be in places very remote from each other ; and where is the absurdity of allowing that space to ...
الصفحة 159
... action , are all alike subjected to the Understanding , it is generally a very clear case ; and we make decisions compounded of them all : And thus we are willing to approve of Candide , tho ' he kills my Lord the Inquisitor , and runs ...
... action , are all alike subjected to the Understanding , it is generally a very clear case ; and we make decisions compounded of them all : And thus we are willing to approve of Candide , tho ' he kills my Lord the Inquisitor , and runs ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers