Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 177
... beauty , wisdom and others , -what are they but very obscure ideas of qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -- Invent or ...
... beauty , wisdom and others , -what are they but very obscure ideas of qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -- Invent or ...
الصفحة 320
... beauty , of power , and of passion in his own breast , sympathises with whatever is beautiful , and grand , and impassioned in nature , in its simple majesty , in its im- mediate appeal to the senses , to the thoughts and hearts of all ...
... beauty , of power , and of passion in his own breast , sympathises with whatever is beautiful , and grand , and impassioned in nature , in its simple majesty , in its im- mediate appeal to the senses , to the thoughts and hearts of all ...
الصفحة 330
... beauty to the sun . And yet all these are so far from being unnatural , that they are no sooner put where they are , than we feel at once their beauty and their effect ; and acknowledge our obligations to that exuberant genius which ...
... beauty to the sun . And yet all these are so far from being unnatural , that they are no sooner put where they are , than we feel at once their beauty and their effect ; and acknowledge our obligations to that exuberant genius which ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers