Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 27
... Comedy amongst ' em . That way of Trage - Comedy was the common Mistake of that Age , and is indeed become so agreeable to the English Tast , that tho ' the severer Critiques among us cannot bear it , yet the generality of our Audiences ...
... Comedy amongst ' em . That way of Trage - Comedy was the common Mistake of that Age , and is indeed become so agreeable to the English Tast , that tho ' the severer Critiques among us cannot bear it , yet the generality of our Audiences ...
الصفحة 300
... comedy . It has little satire , and no spleen . It aims at the ludicrous rather than the ridiculous . It makes us laugh at the follies of mankind , not despise them , and still less bear any ill- will towards them . Shakespear's comic ...
... comedy . It has little satire , and no spleen . It aims at the ludicrous rather than the ridiculous . It makes us laugh at the follies of mankind , not despise them , and still less bear any ill- will towards them . Shakespear's comic ...
الصفحة 301
... comedy of nature , and it is the comedy which we generally find in Shakespear.- Whether the analysis here given be just or not , the spirit of his comedies is evidently quite distinct from that of the authors above mentioned , as it is ...
... comedy of nature , and it is the comedy which we generally find in Shakespear.- Whether the analysis here given be just or not , the spirit of his comedies is evidently quite distinct from that of the authors above mentioned , as it is ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers