Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة v
... death , to the first complete volume of his plays , the ' First Folio ' of 1623 ; and they vary in character with the times in which they were published . At the end of the century Sir Thomas Pope Blount attempted to represent con ...
... death , to the first complete volume of his plays , the ' First Folio ' of 1623 ; and they vary in character with the times in which they were published . At the end of the century Sir Thomas Pope Blount attempted to represent con ...
الصفحة 122
... death is at last effected by an incident which Hamlet has no part in producing . The catastrophe is not very happily ... death of him that was required to take it ; and the gratification which would arise from the destruction of an ...
... death is at last effected by an incident which Hamlet has no part in producing . The catastrophe is not very happily ... death of him that was required to take it ; and the gratification which would arise from the destruction of an ...
الصفحة 167
... death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is independent of opinion ; It adapts itself ...
... death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is independent of opinion ; It adapts itself ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers