Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 92
... distinct . No other unity is intended , and therefore none is to be sought . In his other works he has well enough preserved the unity of action . He has not , indeed , an intrigue regularly perplexed and regularly unravelled ; he does ...
... distinct . No other unity is intended , and therefore none is to be sought . In his other works he has well enough preserved the unity of action . He has not , indeed , an intrigue regularly perplexed and regularly unravelled ; he does ...
الصفحة 158
... distinct principles . of character in every distinct indivi- dual : The manifest variety even in the minds of infants will oblige us to this . But what are these first principles of character ? Not the objects , I am persuaded , of the ...
... distinct principles . of character in every distinct indivi- dual : The manifest variety even in the minds of infants will oblige us to this . But what are these first principles of character ? Not the objects , I am persuaded , of the ...
الصفحة 229
... distinct con- sciousness of the grounds of our judgment , concerning the works of Shakspeare , implies the power and the means of judging rightly of all other works of intellect , those of abstract science alone excepted . It is a ...
... distinct con- sciousness of the grounds of our judgment , concerning the works of Shakspeare , implies the power and the means of judging rightly of all other works of intellect , those of abstract science alone excepted . It is a ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers