Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة viii
... drama , following other methods , was attain- ing its highest perfection . There were scholars who , like Milton in Samson Agonistes , favoured neither English nor French methods , but held that Aeschylus , Sophocles , and Euripides ...
... drama , following other methods , was attain- ing its highest perfection . There were scholars who , like Milton in Samson Agonistes , favoured neither English nor French methods , but held that Aeschylus , Sophocles , and Euripides ...
الصفحة 235
... drama , or acted story , consisted in reality of three dramas , called together a trilogy , and performed consecutively in the course of one day . Now you may conceive a tragedy of Shak- speare's as a trilogy connected in one single ...
... drama , or acted story , consisted in reality of three dramas , called together a trilogy , and performed consecutively in the course of one day . Now you may conceive a tragedy of Shak- speare's as a trilogy connected in one single ...
الصفحة 248
... drama with Dryden's All For Love . Romeo and Juliet Lectures . I HAVE previously had occasion to speak at large on the subject of the three unities of time , place , and action , as applied to the drama in the abstract , and to the ...
... drama with Dryden's All For Love . Romeo and Juliet Lectures . I HAVE previously had occasion to speak at large on the subject of the three unities of time , place , and action , as applied to the drama in the abstract , and to the ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers