Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 73
... equal truth and equal force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down ...
... equal truth and equal force . If human nature were destroyed , and no monument were left of it except his works , other beings might know what man was from those writings . Boileau . You say he painted all characters , from kings down ...
الصفحة 175
... equal efficacy ; he needs no selection ; he converts every thing into excellence ; nothing is too great , nothing is too base . Is a character efficient like Richard , it is every thing we can wish : Is it otherwise , like Hamlet , it ...
... equal efficacy ; he needs no selection ; he converts every thing into excellence ; nothing is too great , nothing is too base . Is a character efficient like Richard , it is every thing we can wish : Is it otherwise , like Hamlet , it ...
الصفحة 234
... equal to it . Of this any one will be convinced , who attentively considers those points in which the dramas of Greece and England differ , from the dissimilitude of circum- stances by which each was modified and influenced . The Greek ...
... equal to it . Of this any one will be convinced , who attentively considers those points in which the dramas of Greece and England differ , from the dissimilitude of circum- stances by which each was modified and influenced . The Greek ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers