Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 62
... heart ! my rising heart ! —but down . By which single line , the inexpressible anguish of his mind , and the dreadful conflict of opposite passions with which it is agitated , are more forcibly expressed , than by the long and laboured ...
... heart ! my rising heart ! —but down . By which single line , the inexpressible anguish of his mind , and the dreadful conflict of opposite passions with which it is agitated , are more forcibly expressed , than by the long and laboured ...
الصفحة 64
... heart ? - Much is contained in these four words ; as if he had said , ' the kindness and the gratitude of this servant exceeds that of my own children . Tho ' I have given them a kingdom , yet have they basely discarded me , and suf ...
... heart ? - Much is contained in these four words ; as if he had said , ' the kindness and the gratitude of this servant exceeds that of my own children . Tho ' I have given them a kingdom , yet have they basely discarded me , and suf ...
الصفحة 68
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart— Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
... heart , see ! they bark at me . He again resumes his imaginary power , and orders them to anatomize Regan ; ' See what breeds about her heart— Is there any cause in nature that makes these hard hearts ? You , Sir , ' speaking to Edgar ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers