Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 40
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and departed Spirits . This Mr. Dryden calls the Fairy way ...
... Imagination with the Characters and Actions of such Persons as have many of them no Existence , but what he bestows on them . Such are Fairies , Witches , Magicians , Demons , and departed Spirits . This Mr. Dryden calls the Fairy way ...
الصفحة 295
... imagination and the pampered self - indulgence of his physical appetites . He manures and nourishes his mind with jests , as he does his body with sack and sugar . He carves out his jokes , as he would a capon or a haunch of venison ...
... imagination and the pampered self - indulgence of his physical appetites . He manures and nourishes his mind with jests , as he does his body with sack and sugar . He carves out his jokes , as he would a capon or a haunch of venison ...
الصفحة 311
... imagination , everything has a life , a place , and being of its own ! Chaucer's characters are sufficiently distinct from one another , but they are too little varied in themselves , too much like identical propositions . They are ...
... imagination , everything has a life , a place , and being of its own ! Chaucer's characters are sufficiently distinct from one another , but they are too little varied in themselves , too much like identical propositions . They are ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers