Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 197
... look to announce its approach , and so contagious the counterfeit appearance of any emotion is , that let the words be what they will , the look and tone shall carry it off and make it pass for deep skill in the passions . It is common ...
... look to announce its approach , and so contagious the counterfeit appearance of any emotion is , that let the words be what they will , the look and tone shall carry it off and make it pass for deep skill in the passions . It is common ...
الصفحة 313
... Look where he comes ! not poppy , nor mandragora Nor all the drowsy syrups of the East , Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday . And he enters at this moment , like the crested serpent , crowned with ...
... Look where he comes ! not poppy , nor mandragora Nor all the drowsy syrups of the East , Shall ever medicine thee to that sweet sleep Which thou ow'dst yesterday . And he enters at this moment , like the crested serpent , crowned with ...
الصفحة 353
... look about the hills and dales , the rocks and precipices , the groves and waterfalls , for flues and balusters and vases , and smooth marble steps , and shepherdesses in hoops and satin . There are some who think these things as un ...
... look about the hills and dales , the rocks and precipices , the groves and waterfalls , for flues and balusters and vases , and smooth marble steps , and shepherdesses in hoops and satin . There are some who think these things as un ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers