Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 199
... mind , which was , to borrow a phrase of Ben Jonson's , the very ' sphere of humanity ' , he fetched those images of ... mind which makes him treat the intrusions of Polonius with harsh- ness , and that asperity which he puts on in his ...
... mind , which was , to borrow a phrase of Ben Jonson's , the very ' sphere of humanity ' , he fetched those images of ... mind which makes him treat the intrusions of Polonius with harsh- ness , and that asperity which he puts on in his ...
الصفحة 273
... mind , not one of which has the slightest reference to the rest . This distinctness and originality is indeed the necessary consequence of truth and nature . Shakespear's genius alone appeared to possess the resources of nature . He is ...
... mind , not one of which has the slightest reference to the rest . This distinctness and originality is indeed the necessary consequence of truth and nature . Shakespear's genius alone appeared to possess the resources of nature . He is ...
الصفحة 310
... mind which is as true to nature as itself . The leaves of the willow are , in fact , white underneath , and it is this part of them which would appear ' hoary ' in the re- flection in the brook . The same sort of intuitive power , the ...
... mind which is as true to nature as itself . The leaves of the willow are , in fact , white underneath , and it is this part of them which would appear ' hoary ' in the re- flection in the brook . The same sort of intuitive power , the ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers