Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 167
... Moral quality . It is true , there is a Courage founded upon principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always ...
... Moral quality . It is true , there is a Courage founded upon principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always ...
الصفحة 244
A Selection David Nichol Smith. without the moral sense , is marked by the appearance of vice . For it is in the ... morality . In this sense , as it proceeds , is displayed the impression made by Ferdinand and Miranda on each other ; it ...
A Selection David Nichol Smith. without the moral sense , is marked by the appearance of vice . For it is in the ... morality . In this sense , as it proceeds , is displayed the impression made by Ferdinand and Miranda on each other ; it ...
الصفحة 363
... Morality itself , what we call the moral quality of a man , what is this but another side of the one vital Force where- by he is and works ? All that a man does is physiogno- mical of him . You may see how a man would fight , by the way ...
... Morality itself , what we call the moral quality of a man , what is this but another side of the one vital Force where- by he is and works ? All that a man does is physiogno- mical of him . You may see how a man would fight , by the way ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers