Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 167
... nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is ...
... nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the prevailing modes of honour , and the fashions of the age . But Natural courage is another thing : It is ...
الصفحة 320
... nature , in its simple majesty , in its im- mediate appeal to the senses , to the thoughts and hearts of all men ; so that the poet of nature , by the truth , and depth , and harmony of his mind , may be said to hold communion with the ...
... nature , in its simple majesty , in its im- mediate appeal to the senses , to the thoughts and hearts of all men ; so that the poet of nature , by the truth , and depth , and harmony of his mind , may be said to hold communion with the ...
الصفحة 364
... Nature too , deep as Nature herself . I find a great truth in this saying . Shakspeare's Art is not Artifice ; the noblest worth of it is not there by plan or precon- trivance . It grows up from the deeps of Nature , through this noble ...
... Nature too , deep as Nature herself . I find a great truth in this saying . Shakspeare's Art is not Artifice ; the noblest worth of it is not there by plan or precon- trivance . It grows up from the deeps of Nature , through this noble ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers