Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 154
... object than some old fantastic Oak , or grotesque Rock , may be the object of a morning's ride ; yet being proposed as such , may serve to limit the dis- tance , and shape the course : The real object is Exercise , and the Delight which ...
... object than some old fantastic Oak , or grotesque Rock , may be the object of a morning's ride ; yet being proposed as such , may serve to limit the dis- tance , and shape the course : The real object is Exercise , and the Delight which ...
الصفحة 200
... object , in the language of a temporary alienation ; but it is not alienation , it is a distraction purely , and so it always makes itself to be felt by that object : it is not anger , but grief assuming the appearance of anger , -love ...
... object , in the language of a temporary alienation ; but it is not alienation , it is a distraction purely , and so it always makes itself to be felt by that object : it is not anger , but grief assuming the appearance of anger , -love ...
الصفحة 301
... object is to turn the meanest or rudest objects to a pleasurable account . The relish which he has of a pun , or of the quaint humour of a low char- acter , does not interfere with the delight with which he describes a beautiful image ...
... object is to turn the meanest or rudest objects to a pleasurable account . The relish which he has of a pun , or of the quaint humour of a low char- acter , does not interfere with the delight with which he describes a beautiful image ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers