Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 69
... passage , and which render an allegation of each particular sentiment absolutely necessary . The Adventurer , No. 116 ... passages that are too turgid and full of strained meta- phors ; are faults which the warmest admirers of Shake ...
... passage , and which render an allegation of each particular sentiment absolutely necessary . The Adventurer , No. 116 ... passages that are too turgid and full of strained meta- phors ; are faults which the warmest admirers of Shake ...
الصفحة 110
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
الصفحة 193
... passages in the acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from ...
... passages in the acting plays of the same writer which have happily been left out in the performance . How far the very custom of hearing any thing spouted , withers and blows upon a fine passage , may be seen in those speeches from ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers