Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 14
... Persons , of what Quality , Profession , Degree , Breeding , or Birth soever ; nor did he want Wit to Express the ... Persons , as one would think he had been Transformed into every one of those Persons he hath Described ; and as ...
... Persons , of what Quality , Profession , Degree , Breeding , or Birth soever ; nor did he want Wit to Express the ... Persons , as one would think he had been Transformed into every one of those Persons he hath Described ; and as ...
الصفحة 163
... persons of the Drama : After which we will examine , in course , such evidence , either of persons or facts , as are relative to the matter ; and account as we may for those appearances , which seem to have led to the opinion of his ...
... persons of the Drama : After which we will examine , in course , such evidence , either of persons or facts , as are relative to the matter ; and account as we may for those appearances , which seem to have led to the opinion of his ...
الصفحة 192
... person and voice of Mr. K. We speak of Lady Macbeth , while we are in reality thinking of Mrs. S. Nor is this confusion incidental alone to un- lettered persons , who , not possessing the advantage of reading , are necessarily dependent ...
... person and voice of Mr. K. We speak of Lady Macbeth , while we are in reality thinking of Mrs. S. Nor is this confusion incidental alone to un- lettered persons , who , not possessing the advantage of reading , are necessarily dependent ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers