Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 177
... qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -- Invent or imagine a subject in order to support these qualities ; and hence we get ...
... qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -- Invent or imagine a subject in order to support these qualities ; and hence we get ...
الصفحة 181
... qualities in the same man , and not by their agreement or conformity , would never have attempted to raise mirth by shewing us Cowardice in a Coward unattended by Pretence , and softened by every excuse of age , corpulence , and in ...
... qualities in the same man , and not by their agreement or conformity , would never have attempted to raise mirth by shewing us Cowardice in a Coward unattended by Pretence , and softened by every excuse of age , corpulence , and in ...
الصفحة 185
... qualities , but which , under the pressure of the same situation and influences , would be distorted into a different form , or totally lost in timidity and weakness . If therefore the character before us will admit of this kind of ...
... qualities , but which , under the pressure of the same situation and influences , would be distorted into a different form , or totally lost in timidity and weakness . If therefore the character before us will admit of this kind of ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers