Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 130
... true which I have heard , Thou cam'st into the world with thy legs forward . Which violent invective does not affect Richard as a re- proach ; it serves him only for a pretence to commit the murther he came resolved on ; and his answer ...
... true which I have heard , Thou cam'st into the world with thy legs forward . Which violent invective does not affect Richard as a re- proach ; it serves him only for a pretence to commit the murther he came resolved on ; and his answer ...
الصفحة 202
... true lover of his excellencies he certainly was not ; for would any true lover of them have admitted into his matchless scenes such ribald trash as Tate and Cibber , and the rest of them , that With their darkness durst affront his ...
... true lover of his excellencies he certainly was not ; for would any true lover of them have admitted into his matchless scenes such ribald trash as Tate and Cibber , and the rest of them , that With their darkness durst affront his ...
الصفحة 229
... true critic can no more be such without placing himself on some central point , from which he may command the whole ... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true ...
... true critic can no more be such without placing himself on some central point , from which he may command the whole ... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers