Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 71
... writers : his sentiments are adjusted to the peculiar character and circumstances of the speaker ; and the propriety is not less perfect between his sentiments and his diction . That this is no exaggeration , will be evident to every ...
... writers : his sentiments are adjusted to the peculiar character and circumstances of the speaker ; and the propriety is not less perfect between his sentiments and his diction . That this is no exaggeration , will be evident to every ...
الصفحة 82
... writers of barbarous romances invigorated the reader by a giant and a dwarf ; and he that should form his expectations of human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his ...
... writers of barbarous romances invigorated the reader by a giant and a dwarf ; and he that should form his expectations of human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his ...
الصفحة 105
... writers borrow their characters from preceding writers , and diversify them only by the acci- dental appendages of present manners ; the dress is a little varied , but the body is the same . Our authour had both matter and form to ...
... writers borrow their characters from preceding writers , and diversify them only by the acci- dental appendages of present manners ; the dress is a little varied , but the body is the same . Our authour had both matter and form to ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE 162474 | 13 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feel force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers