The Gleaner: A Series of Periodical Essays, المجلد 3Nathan Drake Suttaby, Evance, and Company, 1811 |
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الصفحة 42
... of cor- ruption , tends to stop its progress . Living authors , as well as living manners , are at once the chief objects of our censure and imitation . The works of deceased writers , which we have been 42 NO . 105 . THE GLEANER .
... of cor- ruption , tends to stop its progress . Living authors , as well as living manners , are at once the chief objects of our censure and imitation . The works of deceased writers , which we have been 42 NO . 105 . THE GLEANER .
الصفحة 46
... objects of their study , rather than occasional assistants , they will certainly be per- nicious . The grammars of living and dead languages are too often framed on different principles : in the latter , all irregularities , for which ...
... objects of their study , rather than occasional assistants , they will certainly be per- nicious . The grammars of living and dead languages are too often framed on different principles : in the latter , all irregularities , for which ...
الصفحة 53
... object , which he looks upon as his God , and pays an implicit obedience to his laws ; whatever his system of belief may be , he endeavours to do it all the honour in his power , and shudders at nothing so much as the thought of ...
... object , which he looks upon as his God , and pays an implicit obedience to his laws ; whatever his system of belief may be , he endeavours to do it all the honour in his power , and shudders at nothing so much as the thought of ...
الصفحة 57
... it of the false glare of meretricious ornament , communicates a sensation which the same object , under a closer inspection in its highest degree of perfection , was incapable of producing , 2 NO . 107 . 57 THE GLEANER .
... it of the false glare of meretricious ornament , communicates a sensation which the same object , under a closer inspection in its highest degree of perfection , was incapable of producing , 2 NO . 107 . 57 THE GLEANER .
الصفحة 58
... object , was unavoidably diverted from the contempla- tion of the main design . ! In all points which admit of hesitation , the sister sciences are found to throw a correspond- ing lustre on each other . The impropriety of admitting ill ...
... object , was unavoidably diverted from the contempla- tion of the main design . ! In all points which admit of hesitation , the sister sciences are found to throw a correspond- ing lustre on each other . The impropriety of admitting ill ...
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عبارات ومصطلحات مألوفة
Addison agreeable Albert and Matilda appear Aristophanes attention Baker's method beautiful body character Charlemagne Cicero Conrad consider conversation daughter Demosthenes Dunciad effect elegant endeavoured epic poem epitaphs equal eyes father favour fortune genius gentleman give happiness Harriet heart heaven hero honour hope HORAT human humour idea Johnson JUVENAL labour lady language learned live look Lord Lord Monboddo LUCRETIUS mankind manner means Menander ment merit middle style mind morning nature neighbours never object obliged observed occasion OLLA PODRIDA Ovid panegyrist paper passed perhaps Pericles person Phidias pleasure PODRIDA poem poet possessed present Quintilian racters reader received religion seemed Segued shew situation Sophocles spirit stranger Tacitus taste temper thee thing thou thought tion Tom Long town vice Virgil virtue whole wish words wretched writers Xenophon
مقاطع مشهورة
الصفحة 232 - When I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind.
الصفحة 232 - When I look upon the tombs of the great, every emotion of envy dies in me ; when I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tomb-stone, my heart melts with compassion ; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow...
الصفحة 211 - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion...
الصفحة 37 - And he gave it for his opinion, that whoever could make two ears of corn, or two blades of grass to grow upon a spot of ground where only one grew before, would deserve better of mankind, and do more essential service to his country, than the whole race of politicians put together.
الصفحة 158 - Though blameless, had incurr'd perpetual strife, Whose deeds had left, in spite of hostile arts, A deep memorial graven on their hearts.
الصفحة 147 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetic ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison, HUGHES.
الصفحة 54 - For forms of government let fools contest; Whate'er is best administered is best: For modes of faith let graceless zealots fight; His can't be wrong whose life is in the right...
الصفحة 158 - That reaching home, the night, they said, is near, We must not now be parted, sojourn here— The new acquaintance soon became a guest, And, made so welcome at their simple feast, He bless'd the bread, but vanish'd at the word, And left them both exclaiming, 'Twas the Lord!
الصفحة 48 - From the authors which rose in the time of Elizabeth, a/ speech might be formed adequate to all the purposes of use and elegance. If the language of theology were extracted from Hooker and the translation of the Bible ; the terms of natural knowledge from Bacon; the phrases of policy, war, and navigation from Raleigh; the dialect of poetry and fiction from Spenser and Sidney; and the diction of common life from Shakespeare, few ideas would be lost to mankind, for want of English words, in which they...
الصفحة 147 - His prose is the model of the middle style; on grave subjects not formal, on light occasions not grovelling; pure without scrupulosity, and exact without apparent elaboration; always equable, and always easy, without glowing words or pointed sentences.