The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 187
... activity is primary . A great deal of modern ' subjective ' criticism emphasizes the shaping activity of the reader . I. A. Richards and William Empson , both key figures in the development of New Criticism , were interested in the ...
... activity is primary . A great deal of modern ' subjective ' criticism emphasizes the shaping activity of the reader . I. A. Richards and William Empson , both key figures in the development of New Criticism , were interested in the ...
الصفحة 217
... activity of the reader enables the text to be translated and transferred to his own mind . This process of translation also shows up the basic hermeneutic structure of reading . Each sentence correlate contains what one might call a ...
... activity of the reader enables the text to be translated and transferred to his own mind . This process of translation also shows up the basic hermeneutic structure of reading . Each sentence correlate contains what one might call a ...
الصفحة 433
... activities and their interrelations , without any concession of priority to any one of them we may choose to abstract ... activity that all the others must be related ; we can only study the varying ways in which , within the changing ...
... activities and their interrelations , without any concession of priority to any one of them we may choose to abstract ... activity that all the others must be related ; we can only study the varying ways in which , within the changing ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing