The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 293
... consciousness that unfolds in his works , but precisely the plurality of equal consciousnesses and their worlds ... consciousness is given as a separate , a foreign consciousness , but at the same time it is not objectified , it does not ...
... consciousness that unfolds in his works , but precisely the plurality of equal consciousnesses and their worlds ... consciousness is given as a separate , a foreign consciousness , but at the same time it is not objectified , it does not ...
الصفحة 435
... consciousness of its members affective , intellectual , and practical tendencies towards a coherent response to the problems presented by their relations with nature and their inter - human relations . With few exceptions these ...
... consciousness of its members affective , intellectual , and practical tendencies towards a coherent response to the problems presented by their relations with nature and their inter - human relations . With few exceptions these ...
الصفحة 437
A Reader Raman Selden. consciousness and the highest forms of unity and coherence of the individual consciousness of the creator . Important cultural works could no doubt have a critical , even oppositional , character in relation to the ...
A Reader Raman Selden. consciousness and the highest forms of unity and coherence of the individual consciousness of the creator . Important cultural works could no doubt have a critical , even oppositional , character in relation to the ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing