The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 210
... determined audience for a work were only a ' distorted echo , ' only a result of ' subjective myths , ' and did not itself have its objective a priori once again in the received work as the limit and possibility of later understanding ...
... determined audience for a work were only a ' distorted echo , ' only a result of ' subjective myths , ' and did not itself have its objective a priori once again in the received work as the limit and possibility of later understanding ...
الصفحة 467
... determine the historically real rather than vice versa , is itself naturally determined in the last instance by history itself . History , one might say , is the ultimate signifier of literature , as it is the ultimate signified . For ...
... determine the historically real rather than vice versa , is itself naturally determined in the last instance by history itself . History , one might say , is the ultimate signifier of literature , as it is the ultimate signified . For ...
الصفحة 468
... determination by the constituents of its ideological matrix . If it seems true that at the level of the text's ... determination which within the text itself privileges ideology as a dominant structure determining its own imaginary or ...
... determination by the constituents of its ideological matrix . If it seems true that at the level of the text's ... determination which within the text itself privileges ideology as a dominant structure determining its own imaginary or ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing