The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 254
... expression . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuites in making , forming , expressing . He who separates intuition from ...
... expression . That which does not objectify itself in expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuites in making , forming , expressing . He who separates intuition from ...
الصفحة 256
... expression due to the contradictions which it contains . And when the same critics object to the theme or content of works which they proclaim to be artistically perfect as being unworthy of art and blameworthy ; if these expressions ...
... expression due to the contradictions which it contains . And when the same critics object to the theme or content of works which they proclaim to be artistically perfect as being unworthy of art and blameworthy ; if these expressions ...
الصفحة 317
... expression ' means the presentation of an idea , usually by the proper and apt use of words . But a device for presenting an idea is what we call a symbol , not a symptom . Thus a word is a symbol , and so is a meaningful combination of ...
... expression ' means the presentation of an idea , usually by the proper and apt use of words . But a device for presenting an idea is what we call a symbol , not a symptom . Thus a word is a symbol , and so is a meaningful combination of ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing