The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 71
... given works , but shall make a lively use of all means , old and new , tried and untried , deriving from art and deriving from other sources , in order to put living reality in the hands of living people in such a way that it can be ...
... given works , but shall make a lively use of all means , old and new , tried and untried , deriving from art and deriving from other sources , in order to put living reality in the hands of living people in such a way that it can be ...
الصفحة 115
... given slice of sound to name a given idea is completely arbitrary . If this were not true , the notion of value would be compromised , for it would include an externally imposed element . But actually values remain entirely relative ...
... given slice of sound to name a given idea is completely arbitrary . If this were not true , the notion of value would be compromised , for it would include an externally imposed element . But actually values remain entirely relative ...
الصفحة 198
... given author . [ . . . ] And the circle of which the adversary just quoted speaks is not a vicious one ; on the contrary , it is the basic operation in the humanities , the Zirkel im Verstehen as Dilthey has termed the discovery , made ...
... given author . [ . . . ] And the circle of which the adversary just quoted speaks is not a vicious one ; on the contrary , it is the basic operation in the humanities , the Zirkel im Verstehen as Dilthey has termed the discovery , made ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing