The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
من داخل الكتاب
النتائج 1-3 من 42
الصفحة 455
A Reader Raman Selden. CHAPTER 4 IDEOLOGY The concept of ' ideology ' is one of the most contentious in modern thought . The Marxist tradition has evolved several senses of the term . At its simplest level ideology refers to the forms of ...
A Reader Raman Selden. CHAPTER 4 IDEOLOGY The concept of ' ideology ' is one of the most contentious in modern thought . The Marxist tradition has evolved several senses of the term . At its simplest level ideology refers to the forms of ...
الصفحة 456
... ideology . He assigns it instead to a region somewhere between knowledge ' and ideology . Art can achieve this , because it is able to effect a ' retreat ' ( a fictional ' distance ' ) from the very ideology which feeds it . Pierre ...
... ideology . He assigns it instead to a region somewhere between knowledge ' and ideology . Art can achieve this , because it is able to effect a ' retreat ' ( a fictional ' distance ' ) from the very ideology which feeds it . Pierre ...
الصفحة 466
... ideology ( which would be the worst possible way of becoming caught up in its game ) . On the contrary , its function is to present ideology in a non - ideological form . To take up the classical distinction between form and content ...
... ideology ( which would be the worst possible way of becoming caught up in its game ) . On the contrary , its function is to present ideology in a non - ideological form . To take up the classical distinction between form and content ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing