The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 127
Coleridge's theory of the imagination is both a development of associationist ideas and a strong reaction against them ... He also rejected the Addisonian view of imaginative experience : beauty is not simply an effect in the mind of an ...
Coleridge's theory of the imagination is both a development of associationist ideas and a strong reaction against them ... He also rejected the Addisonian view of imaginative experience : beauty is not simply an effect in the mind of an ...
الصفحة 128
Imagination does not simply reshuffle the cards of experience ; it ' dissolves , diffuses , dissipates , in order to ... do no more than quote passages of great writing which the reader is assumed to acknowledge as truly imaginative .
Imagination does not simply reshuffle the cards of experience ; it ' dissolves , diffuses , dissipates , in order to ... do no more than quote passages of great writing which the reader is assumed to acknowledge as truly imaginative .
الصفحة 130
And any object being removed from our eyes , though the impression it made in us remain , yet other objects more present succeeding , and working on us , the imagination of the past is obscured , and made weak , as the voice of a man is ...
And any object being removed from our eyes , though the impression it made in us remain , yet other objects more present succeeding , and working on us , the imagination of the past is obscured , and made weak , as the voice of a man is ...
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المحتوى
CHAPTER | 1 |
LANGUAGE AND REPRESENTATION | 95 |
SUBJECTIVITY | 123 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action activity actual aesthetic appear artistic beauty become called century character common complex concept concerned consciousness consider criticism culture described determined direct discourse distinction effect elements emotion example existence experience expression fact feeling forces function genius give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present produced question reader reading reality reason reference reflection relation represented rhetoric seems sense signifier social society speak speech structure style theory things thought tradition true truth understanding University whole writing