The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 127
... mind can neither control nor resist the flood of images and connections between images that arise in the mind . He takes to its logical conclusion Hobbes ' account of ' unregulated ' mental discourse , but unlike Hobbes regards the true ...
... mind can neither control nor resist the flood of images and connections between images that arise in the mind . He takes to its logical conclusion Hobbes ' account of ' unregulated ' mental discourse , but unlike Hobbes regards the true ...
الصفحة 277
... mind . I shall here have to change my metaphor a little to get the process in his mind . Suppose that instead of your curved pieces of wood you have a springy piece of steel of the same types of curvature as the wood . Now the state of ...
... mind . I shall here have to change my metaphor a little to get the process in his mind . Suppose that instead of your curved pieces of wood you have a springy piece of steel of the same types of curvature as the wood . Now the state of ...
الصفحة 409
... mind of Europe the mind of his own country a mind which he learns in time to be much more important than his own private mind is a mind which changes , and that this change is a development which abandons nothing en roule , which does ...
... mind of Europe the mind of his own country a mind which he learns in time to be much more important than his own private mind is a mind which changes , and that this change is a development which abandons nothing en roule , which does ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing