The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 282
... poetic or individual object which tends to be universalized , but is not permitted to suffer this fate . His identification of the poetic object is in terms of the universal or commonplace object to which it tends , and of the tissue ...
... poetic or individual object which tends to be universalized , but is not permitted to suffer this fate . His identification of the poetic object is in terms of the universal or commonplace object to which it tends , and of the tissue ...
الصفحة 303
... poet make poems from the ' already - written ' or from inner resources ? Some critical traditions place the source of creativity beyond the author's conscious control . According to the common classical and Christian view of poetic ...
... poet make poems from the ' already - written ' or from inner resources ? Some critical traditions place the source of creativity beyond the author's conscious control . According to the common classical and Christian view of poetic ...
الصفحة 406
... poetic tradition in his studies The Anxiety of Influence ( 1973 ) and A Map of Misreading ( 1975 ) . He combines Freudian psychology , the theory of tropes , and cabbalistic mysticism in his poetic ' history ' . All great poets , he ...
... poetic tradition in his studies The Anxiety of Influence ( 1973 ) and A Map of Misreading ( 1975 ) . He combines Freudian psychology , the theory of tropes , and cabbalistic mysticism in his poetic ' history ' . All great poets , he ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
27 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing