The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - 560 من الصفحات This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 121
... reference is made either , only obliquely , or even , not at all , to the performance of the locutionary or illocutionary act . We shall call the performance of an act of this kind the performance of a perlocutionary act or perlocution ...
... reference is made either , only obliquely , or even , not at all , to the performance of the locutionary or illocutionary act . We shall call the performance of an act of this kind the performance of a perlocutionary act or perlocution ...
الصفحة 185
... reference being required en route . They operate like musical phrases . But usually references are involved as ... reference are of no importance if the further effects in attitude and emotion are of the required kind . Further , in the ...
... reference being required en route . They operate like musical phrases . But usually references are involved as ... reference are of no importance if the further effects in attitude and emotion are of the required kind . Further , in the ...
الصفحة 248
... reference of representations , even that of sensations , may be objective ( and then it signifies the real in an empirical representation ) ; save only the reference to the feeling of pleasure and pain , by which nothing in the Object ...
... reference of representations , even that of sensations , may be objective ( and then it signifies the real in an empirical representation ) ; save only the reference to the feeling of pleasure and pain , by which nothing in the Object ...
المحتوى
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing