The Theory of Criticism from Plato to the Present: A ReaderThis book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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الصفحة 46
The objects the imitator represents are actions , with agents who are necessarily either good men or bad the ... It follows , therefore , that the agents represented must be either above our own level of goodness , or beneath it ...
The objects the imitator represents are actions , with agents who are necessarily either good men or bad the ... It follows , therefore , that the agents represented must be either above our own level of goodness , or beneath it ...
الصفحة 330
All this is abundantly represented in Shakespeare's tragic works . Examples of the portrayal of the physical - creatural are numerous : Hamlet is fat and short of breath ( according to another reading he is not fat but hot ) ; Caesar ...
All this is abundantly represented in Shakespeare's tragic works . Examples of the portrayal of the physical - creatural are numerous : Hamlet is fat and short of breath ( according to another reading he is not fat but hot ) ; Caesar ...
الصفحة 421
In Davies a dominant world view is represented in a purely ideological form and appears as a self - evident truth . In Troilus , on the other hand , Ulysses ' speech on degree is represented within a dramatic context as a contested view ...
In Davies a dominant world view is represented in a purely ideological form and appears as a self - evident truth . In Troilus , on the other hand , Ulysses ' speech on degree is represented within a dramatic context as a contested view ...
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المحتوى
CHAPTER | 1 |
LANGUAGE AND REPRESENTATION | 95 |
SUBJECTIVITY | 123 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
according action activity actual aesthetic appear artistic beauty become called century character common complex concept concerned consciousness consider criticism culture described determined direct discourse distinction effect elements emotion example existence experience expression fact feeling forces function genius give given human ideas ideology images imagination imitation important individual interest interpretation kind knowledge language laws less linguistic literary literature living London Marxism material matter meaning mind moral nature never novel object observation organization original particular passions person philosophical play poem poet poetic poetry possible practice present produced question reader reading reality reason reference reflection relation represented rhetoric seems sense signifier social society speak speech structure style theory things thought tradition true truth understanding University whole writing