ABANDONED Abode, the, 307.

ABBE DE SAADE, a lineal Descendant of Laura, 380.

Adieu to the Rhine, 318.

ADOLF OF NASSAU, Romantic History of, 248.

ADRIAN, Emperor, his Mausoleum, 80.

AIX LA CHAPELLE. Bunbury's Ballad; the Throne in the
Grave; Romantic Story of the Empress Josephine; Ger-
man Demeanour; Shy Men, 320–325.

AIX LES BAINS, the antique Hotel, and its old-fashioned
Gardens, 166-169.

ALBANO, its Lake and Woods, 135, 136.

ALBRECHT DURER, and his various Memorials, 238.
ALDOBRANDINI BORGHESE, that Prince's Villa at Frascati,
139.

All Hallow's Eve in the Filsthal, 291.

Altars of the Arena; a sagacious Artifice of the Roman Pon-
tiffs, 128, 129.

Amphitheatre of Pompeii, the, 33; of Vespasian, 125—
127; of Nismes, 382.

Ancient Roman Aqueduct of the Pont de Garde, at Nismes,
381; the Effect of its Lower Arches impaired by being
widened, 382.

Ancient Worthies, Male and Female, their Busts in Ulm
Minster, 290.

ANNA SEWARD, her early Letters, 149.

ANTHOINE, St., the Boulevard at Geneva, its fine Prospect,
and fantastic Architecture, 170.

Antique Streets of Nuremberg, 241.

Antiquity modernized on the Rhine, 302.
Arcadian Scenes and Occupations, 384.
Arch of Augustus, the, at Susa, 161.
ARCHBISHOP UBALDO, his Legend, 151.
ARIADNE, the, at Frankfurt, by Danneker, 212.

ARMERIA REGIA, the, at Turin, and a Passage from "Sin-
tram and his Companions," 155.

Art of Staining Glass completely revived, 271.
Association with Man and his Doings, powerful Effect of, 17.
AUGSBURG. Hostel of The Three Moors; the Cinnamon
Chamber; Lovely Arabesques in the Banquet Saloon.
Magnificence and Gracefulness of the Façade; the
Maximilian Strasse; Milton's Roman Pomps; the Epis-
copal Palace; the Chancellor Bayer and the Confession
of Augsburg; the Ramparts, and their Linden Groves;
Moore's Alley of Limes; Frescoes on the Exterior of the
Houses; Postern of the Alte Einlass, 281-287.
AURELIAN ROAD, the, 35.

AURORA, and Andromeda, Guido's, 36, 37.
Aviary in the Villa Borghese, 66, 67.

AVIGNON. Remarkable and solemn Appearance of the City
from the Rhone; the Bridge of St. Benezette; Castle
of St. André; Town of Villeneuve; the Fortifications.
The PALACE OF THE POPES; Milton's Satan; the Tower
of the Inquisition; A Twilight Landscape; The Valley
of the Sorgue; the Durance, and its proverbial Distich;
L'Empia Babilonia; Petrarch's furious Invective against
Avignon, 11-16.

Autumn, its endearing Qualities, and why; its pleasing
Serenity; Bloomfield's Lambs and Rose-leaves, 184-188.

B.

BABILONIA L'Empia,-Avignon so styled by Petrarch,

16.

Baldechin, St. Peter's, wrought out of the Bronze of the
Pantheon, 41.

Ballads, Ancient, embellished in Tapestry work, 257.
BANCA DI SAN GIORGIO, Genoa, 26.

Banks and Bridges of the Main at Frankfurt, 211.

Banquet Saloon, at the Three Moors; Arabesques, 283.
BAPTISTERY, THE, of Pisa, 150.

Barbara Allen's Cruelty, 310.

Baron de Chatillon, a young Savoyard Noble, his Appear-
ance and Manners, 363.

BASLE, Imaginary Romance of antique Continental Towns
Basle utterly deficient in it; singular Criterion of an ex-
cellent Hotel; the Minster, its beautiful Situation, and
noble Features; two General Councils held within its

Walls; Holbein's ill treatment; eccentric Effect of the
deep crimson Stonework; the Interior; the Pulpit; the
Crypt and its Contents; the Council Chamber; the
carved Walnut Coffer; Rogers' Legend of Ginevra, 194
-201.

BASILICA OF CONSTANTINE, 92.

BATHS OF CARACALLA, their Associations, their Heaps of
Marble, 116.

BATHS OF TITUS, 75.

Bathurst, Miss, her lamentable Death in the Tiber, and the
mysterious Disappearance of her Father, 49.

BAVARIAN Villages, 224.

BAYER, the Chancellor, and the Confession of Augsburg, 285.
Bed, the Golden, in the Old Palace at Munich, 272.
Bedstead of Francis I. its florid Carvework, 6.

Belfroy Tower of Susa, its Height and grand Proportions,
161.

Bells, Bonfires, and Flambeaux, on the Eve of St. Martin,
309.

Bell-ringing in Roman Catholic Countries, 153.

Bell-toll of Saint Peter's, Rome, 36.

BELLVEAUX, a Convent of the Benedictine Order, extraordi-
nary Solemnity and Darkness of its Scenery; the cheerful
Hospitality of its Prior; a Regale in the Mountains;
Monastic Concert in the Woods, 376.

BENEZETTE, Saint, Bridge of, 12.

BERNE, Beauty of its Environs; multifarious Statues of Bears;
Watch-towers and Gateways; the Barengraben, Cor-
pulence of its Inmates; the Minster, tawdry Interior;
fine Painted Glass, 188-192.

BERNINI'S Christo Morte, in the Corsini Chapel, St. John
Lateran, 64.

BERNARDINE Monks of St. Sulpice, Portraits of the, and their
Kitchen and Cellar, 367.

BLOOMFIELD'S Lambs, and the Rose-petals, 187.
Boons of Life, the, 317.

Boniface, St. at Munich, extraordinary Merit of its modern
Frescoes, 269.

BORGHESE, the Villa, its Aviary, its Festa, Nightingales, Ilex
and Pine-woods, Roman Towers, Classic Temples, Statues,
and Fountains; its various Edifices, 43, 95.

BORGET, Province and Lake of, 366.

Boulevard St. Anthoine at Geneva, 170.

Brasses, Monumental, in the Churchyard of St. John's at
Nuremberg, 239.

Brickwork, Roman, its Delicacy and Gracefulness, 106.
BRIGNOLE ROsso Palace at Genoa, 26.

Bronze Portal of Mayence Münster, 204.

Bronze Laver in the same, 205.

Bronze Foundry, the, 275.

Bronze Lamps, the, and Benvenuto Cellini's Steel Mirror
in the Queen of Prussia's Bedchamber at Stolzenfels, 301.
Brutality of Rienzi, 51.

Bunbury's Little Gray Man, 320.
Burgundian Fabrics, 330.

Burial Ground, the English, 112.

Burney, Dr. Anecdote from, 358.

Busts, Marble, of the German Kings, Heroes, Poets, and
Sages, in the Walhalla, 263.

Busts of Carved Wood, the Heathen, Jewish, and Christian
Worthies, in Ulm Cathedral, 290.

C.

CAIUS CESTIUS, Pyramid of, a single Foot of his Colossal
Statue in the Capitoline Museum, 48.

CALABRESE'S Sophonisba, 57.

Campagna, the, its Desolation, its wild Flowers, and its
Palaces, 144.

CAMPANILE, the, its beautiful Prospect, and its Babel of
Bells, 152.

CAMPO SANTO at Pisa, its Legend, and wild Frescoes of
its Cloisters, 151.

Cancellaria, Palazzo della, built from the Colosseum, 53.
CARACALLA, Baths of, 115.

CARACCI, LUDOVICO, his Dying Samson; Rospigliosi Palace,
60.

Cardinal, Governor of Frascati, the, fires the Girandola from
his Palace Window, 141.

Carillons of Mechlin Minster very fine: the stupendous
Labour of playing them, 358.

Carlo Borromeo, Piazza di, at Turin, its Grandeur, 158.
CARTHUSIAN Convent contrasted with Bernardine Monks,
370.

Caryatides, coloured, in the Walhalla, not pleasing, 263.
Casa d'Oro, its buried Gardens, 76.

Casino Rospigliosi, its Exterior at Sunset, 52.

CASTEL GANDOLFO, a Summer Palace of the Popes, 135.
Catamountain, or Mont Chat, 166.

CAVALLO, MONTE DI, its noble Equestrian Groups; the

Colonna Gardens, 52.

Caverne of the ancient marbles said to be lost, 90.

Cemetery, the English, at Rome, its tranquil Beauty and
pathetic Memories, 49.

Chapel, embellished with splendid Frescoes by Domenichino,
at Grotto Ferrata, 138.

Chamber of the Councils, 200.

Chancellor Bayer, and the Confession of Augsburg, 284.
Chapel, the, of St. John at Nuremburg; its Churchyard,
and the heraldic Brasses there, 240.

Chapter House in Mentz Cathedral, its fine Oriel, 204.
CHARLES THE RASH, of Burgundy, 183.

CHARTREUX LE GRAND, interesting Account of that cele-
brated Monastery, 387.

Chateau de Commond, distinguished by Original Portraits of
Petrarch and Laura; their Description, 379.

Chateau de Sommani, the Residence of Laura, still belongs
to the Family of De Saade, 380.

CHATILLON, Castle of, a tempestuous Night within its dilapi-
dated Chambers, 366.

CHILLON, Chateau de, its Oubliette, its Pitfall, its enormous
Kitchen, adjoining the High Court of Justice in the Castle
Hall, 178.

Christopher's, St. Gateway, Berne, 190.

CHRYSOSTOM on the Oak of Abraham, 183.

Ceilings of Palazzo Farnese at Rome compared with the
Cinnamon Chamber at Augsburg, 283.

Cinnamon Chamber, the, Augsburg, 282.

Circus, the, in the Villa Borghese, 95.

Cisterne, at Leghorn, their imposing Effect, 148.

City of Kings, Genoa so called, 28.

Cloisters, the, of Mayence Cathedral, their Beauty, 203; the
decorated Door, 204.

Clouds, Pindar's magnificent Expression—Nɛpɛλãç ɛpißoo-
μου Στρατος, 96.

CLUNY, HOTEL DE, its rare and beautiful Antiquities; the
Roman Thermæ there, 5.

COBLENZ. Visit to Ehrenbreitstein; the Rock and the
Rainbow; the Giant and his Guests; the Dampschiff;
Stolzenfels; the Pretty Castle; the Panoplies; the
Queen of Prussia's Bedchamber, its exquisite Bronze
Lamps; Cellini's Steel Mirror; Antiquity modernized;
Disenchantment of the Rhine; easier to sympathize with
Adversity than Prosperity; New and old Houses; Ruins;

E E