Mr. Ruskin's publishers should have entreated him, after the appearance of "Ethics of the Dust," to "write no more in dialogues." To my mind, that charming book owes its quality of readableness to the form in which it is cast, to the breathing-spells afforded by the innocent questions and comments of the children.

Mr. W. W. Story deals more gently with us than any other imaginary conversationalist. From the moment that "He and She" meet unexpectedly on the first page of "A Poet's Portfolio," until they say good-night upon the last, they talk comprehensively and agreeably upon topics in which it is easy to feel a healthy human interest. They drop into poetry and climb back into prose with a good deal of facility and grace. They gossip about dogs and spoiled children; they say clever and true things about modern criticism; they converse seriously, but not solemnly, about life and love and literature. They do not resolutely discuss a given subject, as do the Squire and Foster in Sir Edward Strachey's "Talk at a Country House;" but sway from text to text after the frivolous fashion of flesh

and blood; a fashion with which Mr. Story has made us all familiar in his earlier volumes of conversations. He is a veteran master of his field; yet, nevertheless, the Squire and Foster are pleasant companions for a winter night. I like to feel how thoroughly I disagree with both, and how I long to make a discordant element in their friendly talk; and this is precisely the charm of dialogues as a medium for opinions and ideas. Whether the same form can be successfully applied to fiction is at least a matter of doubt. Laurence Alma Tadema has essayed to use it in "An Undivined Tragedy," and the result is hardly encouraging. The mother tells the tale in a simple and touching manner; and the daughter's ejaculations and comments are of no use save to disturb the narrative. It is hard enough to put a story into letters where the relator suffers no ill-timed interruptions; but to embody it in a dialogue which is at the same time no play is to provide a needless element of confusion, and to derange the boundary line which separates fiction from the drama.

A CURIOUS CONTENTION.

WHAT an inexhaustible fund of quarrelsomeness lies at the bottom of the human heart! Since the beginning of the world, men have fought and wrangled with one another; and now women seem to find their keenest pleasure and exhilaration in fighting and wrangling with men. In literature, in journalism, in lectures, in discussions of every kind, they are lifting up their voices with an angry cry which sounds a little like Madame de Sévigné's "respectful protestation against Providence." They are tired, apparently, of being women, and are disposed to lay all the blame of their limitations upon men.

There is nothing very healthful in such an attitude, nothing dignified, nothing morally sustaining. Life is not easy to understand, but it seems tolerably clear that two sexes were put upon the world to exist harmoniously together, and to do, each of them, a share of the world's work. Their relation to

one another has been a matter of vital interest from the beginning, and no new light has dawned suddenly upon this century or this people. The shrill contempt heaped by a few vehement women upon men, the bitter invectives, the wholesale denunciations are as valueless and as much to be regretted as the old familiar Billingsgate which once expressed what Mr. Arnold termed "the current compliments" of theology. It is not convincing to hear that " man has shrunk to his real proportions in our estimation," because we are still in the dark as to what these proportions are. It is doubtless true that he is "imperfect from the woman's point of view," and imperfect, let us conclude, from his own; but whether we have attained that sure superiority which will enable us to work out his salvation is at least a matter for dispute. There is an ancient and unpopular virtue called humility which might be safely recommended to a woman capable of writing such a passage as this, which is taken from an article published recently in the "North American Review." "We know the weakness of man, and will be patient with him, and help him with his lesson.