Stanford Literature Review, المجلدات 1-2Department of French & Italian, Stanford University, 1984 |
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النتائج 1-3 من 67
الصفحة 10
... tradition any more than the analogous collision of diverse worlds of verbal discourse in Shakespeare represents any central great tradition in drama . Still , the interaction of worlds I have suggested in these examples can be related ...
... tradition any more than the analogous collision of diverse worlds of verbal discourse in Shakespeare represents any central great tradition in drama . Still , the interaction of worlds I have suggested in these examples can be related ...
الصفحة 157
... traditions than with the rela- tions that literature and literary studies share with other fields of knowledge . It is ... tradition's possibilities . For the first time in human history , a certain cultural unity of the entire world has ...
... traditions than with the rela- tions that literature and literary studies share with other fields of knowledge . It is ... tradition's possibilities . For the first time in human history , a certain cultural unity of the entire world has ...
الصفحة 149
... traditional university faculties . Erasmus ' Folly has her say about them in the Encomium Moriae ( Paris , 1511 ) , and ... Tradition , ed . Philip Mason Palmer and Robert Pattison More ( New York , 1936 ) , p . 136. The original German ...
... traditional university faculties . Erasmus ' Folly has her say about them in the Encomium Moriae ( Paris , 1511 ) , and ... Tradition , ed . Philip Mason Palmer and Robert Pattison More ( New York , 1936 ) , p . 136. The original German ...
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become Beggar's Opera century character Condition humaine conflict context Coriolanus criticism culture Dante Decembrists Defoe Defoe's discourse Dostoev Dostoevsky and Nietzsche dramatic monologue Duchamp Eugene Onegin example expressive Faustus fiction French genre Gilbert Sorrentino Hamlet human ideology intellectual interpretation ironic irony Justus Möser knowledge La Condition humaine language Large Glass liminal linguistic literary literature Malraux meaning metaphor mimetic mode modern Möser mother musical myth narrative nature Nietzsche's nouveau roman novel NUMBER object opera opera seria Panurge paradoxical Paris passage penitentiary person Philomela philosophy play poem poetic poetry political pornography prison Procne psychological reader reading reference René Girard revenge Roman Russian scapegoat scene scientific essay sense sexual Shakespeare social society speak Sprechgesang Starobinski structure suggests symbolic Tereus theater theory tion tradition tragedy transcendence turn Univ University Press utterance victim violence woman women words writing York