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" ... of the fiction. Lothario, with gaiety which cannot be hated, and bravery which cannot be despised, retains too much of the spectator's kindness. It was in the power of Richardson alone to teach us at once esteem and detestation, to make virtuous resentment... "
Essays: Biographical, Critical, and Historical; Illustrative of the Rambler ... - الصفحة 61
بواسطة Nathan Drake - 1810
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Dryden. Smith. Duke. King. Sprat. Halifax. Parnell. Garth. Rowe. Addison ...

Samuel Johnson - 1781
...the power of Richardfon alone to teach us at once efteem and deteftation, to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite ; and to lofe at lafl the hero in the villain. The fifth adT: is not equal to the former j the events of the...

profaces, briogrpahical and critical

samuel johnson - 1781
...the power of Richardfon alone to teach us at once efteem and deteftation, to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite; and to lofe at laft the hero in the villain. The fifth ad: is not equal to the former ; the events of the...

The Lives of the Most Eminent English Poets;: Dryden. Smith. Duke. King ...

Samuel Johnson - 1781 - عدد الصفحات: 503
...the power of Richardfon alone to teach us at once efteem and delegation, to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite ; and tolofe at laft the hero in the villain. The fifth act is not equal to the former ; the events of the...

The Works of the English Poets: With Prefaces, Biographical and ..., المجلد 64

Samuel Johnson - 1781
...power of Richardfon alone to -teach us it once efteerri and deteftation, to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite i arid tobfe at laft the herb in the villain. 't he fifth acl is not equal to the former ; the events...

Walker's Hibernian Magazine, Or, Compendium of Entertaining Knowledge

1786
...trying fcenes, becaufe l his actions are regulated by one fteady teftation ; to make virtuous refentmcnt overpower all the benevolence which wit, and elegance, and courage, naturally excite ; and to lofe at laft the hero in the villain." — Dr. Young very pertinently obfervcd, that Mr. Richardfon,...

Encyclopædia Britannica: Or, A Dictionary of Arts ..., المجلد 16،الجزء 1

Colin Macfarquhar, George Gleig - 1796
...the power of Richardfon alone to teach us at once eileem and delegation ; to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite ; and to lofe at laft the hero in the villain." — Dr Young very pertinently obferved, that Mr Richardfon,...

Johnson's Lives of the English Poets abridged, with notes and illustrations ...

Samuel Johnson - 1797 - عدد الصفحات: 239
...the power of Richardfon alone to teach us at once efteem and deteftation, to make virtuous refentment overpower all the benevolence which wit, and elegance, and courage, naturally excite, and lofe at laft the Hero in the Villain. '" The fifth act is not equal to the former ; the events of the...

Lives

Samuel Johnson - 1800
...detestation, to make vtf" !*» resentment overpower all the, benevolence which wit, elegance, and; Wrsge, naturally excite; and to lose at last the hero in the villain. Tlw fifth act is not equal to the former ; the events of the drama are: ej;-- K#edj and littli rtmains...

The Correspondence of Samuel Richardson ...: Selected from the ..., المجلد 1

Samuel Richardson, Mrs. Barbauld (Anna Letitia) - 1804 - عدد الصفحات: 326
...make virtuous " resentment overpower all the benevo" lence which wit, and elegance, and cou" rage, naturally excite ; and to lose at " last the hero in the villain." French travellers often shew their admiration of this work, by enquiry after little local circumstances...

The Correspondence of Samuel Richardson, Author of Pamela ..., المجلد 1

Samuel Richardson - 1804
...make virtuous " resentment overpower all the benevo** lence which wit, and elegance, and cou" rage, naturally excite; and to lose at " last the hero in the villain." French travellers often shew their admiration of this work, by enquiry after little local circumstances...




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